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AI art "名探偵ごちうさ　完成系" featuring #Tedeza Rize, #Kirima Syaro, #Ujimatsu Chiya, #Kafu Chino, #Hoto Cocoa and #Is the Order a Rabbit?
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名探偵ごちうさ　完成系

作ってて思ったのだけどこれはミ◯キー◯ームズじゃないかと

#Tedeza Rize#Kirima Syaro#Ujimatsu Chiya#Kafu Chino#Hoto Cocoa#Is the Order a Rabbit?
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Tsubaki v1.1 - AI Model cover image

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Tsubaki v1.1
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探偵の衣装 - AI Model cover image

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探偵の衣装
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character: hanami_saki character sheet, reference sheet, multiple views, 4 outfits, full body, head to toe, long hair, brown hair with red gradient tips, hair bun, blue eyes, autumn fashion, mix-and-match coordinates, layered outfit, oversized knit sweater, plaid scarf, corduroy, leather, wide-leg trousers, pleated skirt, long coat, various colors, amber, rust orange, mustard yellow, deep burgundy, olive, cream, innovative deconstructed tailoring, asymmetric hem, oversized hat, beret, newsboy cap, baseball cap worn sideways, chunky platform boots, ankle boots, heeled loafers, running sneakers with layered socks, Paris runway styling, smug face, doyagao, sad face, melancholy, light smile, grin, pout, one eye closed, raised eyebrow, hand on hip, paw pose, standing on one leg, arms up, looking at viewer, varying poses, white studio backdrop, seamless studio sweep, runway lighting, cool and cute, <lora:hanami_saki:1.0> The sheet reads left to right as an editorial grid, four full-body elevations of the same girl standing on a bare white studio sweep, each shot clipped cleanly at the sole of the shoe so every outfit is complete from crown of the hat to the tip of the toe. In the first column she wears a cream newsboy cap tilted over one brow, a rust-orange oversized knit sweater pushed up at the sleeves with a deep burgundy leather belt cinching the waist, wide-leg cream corduroy trousers cropped at the ankle, and chunky platform boots in oxblood; she stands with weight on her left leg, right hip cocked, one gloved hand resting on the belt buckle, the other lifted in a loose paw pose by her cheek, chin tipped down and eyes angled up at the lens with a smug, lopsided doyagao smirk, one brow arched. In the second column a wide-brim olive felt hat with a mustard ribbon sits low, beneath it a cream silk shirt with the cuffs turned back and a charcoal wool jacket draped over the shoulders rather than worn, an asymmetric pleated skirt in deep wine leather reaching mid-calf, ankle boots in polished black; here she is caught mid-turn away then looking back, one hand gripping the skirt edge, the other pressed flat against the hat crown, her mouth a soft downturned melancholy, lashes lowered, eyes glancing into the empty studio rather than at the camera. The third column has a mustard-yellow beret pinned to one side of the hair bun, a deconstructed checkered wool coat with an uneven hem layered over a turtleneck in olive and a pleated plaid skirt, heeled loafers in burgundy with cream socks, and she leans forward on tiptoes toward the lens with both hands clasped behind her back, a wide open-mouthed smile with crescent eyes. The fourth closes the set with a navy baseball cap worn backwards over the bun, a cropped bomber in burnt sienna over a ribbed scarf and a cream dress with a leather waist-cincher, running sneakers layered with striped socks; she stands on one leg balancing, arms flung up, tongue peeking out in a cheeky grin. Behind the four figures, a low layered step of the same white sweep gives each a footing, and the runway's cold floor-light rakes from behind camera-left, throwing a soft contoured shadow from each figure toward the right and catching only the upward-facing surfaces -- the hat crowns, the shoulders of the knit, the tops of the boots -- while the folds facing camera hold their deep colour. Textures are crisp and legible: the rib of the knit, the nap of the corduroy, the wet sheen of the leather, the fuzz of the wool, all in a palette of amber, rust, mustard, burgundy, olive and cream against the paper-white ground, nothing cool except the blue of her eyes. Emphasize the hair's red gradient tips against the autumnal clothing, the mix of cute proportion and cool tailoring, and the single continuous light source bouncing up softly onto her jaw and the underside of each hat brim. effortless editorial chic, quietly confident.
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