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AI art "Skull 2"
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Skull 2

Avatar image of Simon Kennedy

Simon Kennedy

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extremely weathered human skull, gnarled anthropomorphic tree roots, twisted human figure, roots curling like skeletal fingers, bioluminescent root veins, damp moss on bone, morning mist, hollow eye sockets with dew, Kodak Vision3 500T film, Zeiss Super Speed 50mm f/0.7, ethereal bokeh, cold moonlight, orange sodium vapor glow, underground bioluminescence, desaturated teal color grade, burnt amber accents, polished bone texture, rough bark texture, visible mycelium, lichen colonies in skull fissures, Chernobyl exclusion zone, late autumn, frost on dead leaves, Dutch angle composition, rule of thirds, psychological tension, organic decay, unnatural preservation, Zdzisław Beksiński style, Andrei Tarkovsky's Stalker cinematography, b3ks1n
Show Parameters
Original Prompt
extremely weathered human skull nestled deep within gnarled, anthropomorphic tree roots, the tree itself resembling a twisted human figure frozen in agony, roots curling protectively around the skull like skeletal fingers, intricate root veins pulsing with faint bioluminescence, damp moss creeping across bone pores, early morning mist clinging to hollow eye sockets where dew collects like tears, shot on Kodak Vision3 500T film stock pushed 2 stops, Zeiss Super Speed 50mm f/0.7 lens wide open for ethereal bokeh, lighting from three sources - a cold moonlight from upper left, faint orange sodium vapor glow from distant city lights at right, and subtle underground bioluminescence reflecting upward, color grade dominated by desaturated teals with pockets of burnt amber, surface textures alternating between polished bone smoothness and rough root bark with visible mycelium networks, macro details revealing centuries-old lichen colonies growing in skull fissures, environment set in abandoned Chernobyl exclusion zone during late autumn when first frost crystallizes on dead leaves, composition using Dutch angle to enhance unease while maintaining rule of thirds placement, psychological tension between organic decay and unnatural preservation, visual references blending Zdzisław Beksiński's dystopian surrealism with Andrei Tarkovsky's Stalker cinematography,b3ks1n
Size
1280 x 720
Sampling Steps
12
Sampling Method
Euler a
CFG Scale
2
Negative
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)

Model & LoRA used

iCatcher Realistic - AI Model cover image

SDXL

iCatcher Realistic
349
Zdzislaw Beksinski SDXL 1.0 art style lora - AI Model cover image

User LoRA

Zdzislaw Beksinski SDXL 1.0 art style lora
11
Tarkovsky KinoCinema [PonyXL Style LORA] - AI Model cover image

User LoRA

Tarkovsky KinoCinema [PonyXL Style LORA]
1

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Avatar image of Gr3ylok
Moonlit primordial forest where the trees have begun unsuccessfully imitating human anatomy. Knotted trunks form partial faces, bark splitting into mouths filled with wooden teeth, branches terminating in crude finger-like structures. Human-shaped figures stand between distant trees, but closer inspection reveals they are plants attempting to reconstruct people from roots, moss, bones and discarded clothing. One enormous ancient tree dominates the clearing, its trunk covered with hundreds of nearly recognizable faces seemingly trapped beneath the bark. A lone hiker's flashlight illuminates fresh footprints that gradually change from boot prints into bare human hands pressed into the mud. Dense fog, cold moonlight, Eastern European folk horror, realistic forest photography, subtle grotesque anatomy, primal dread, oppressive silence, deeply uncanny.
Gr3ylok

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