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Final Fantasy VII Rebirth, PixAISpringEchoes
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- Original Prompt
- 這張照片展示的是日本舞團 CYBERJAPAN DANCERS 為《PA Pachinko EXORCIST 2nd Season》推廣時穿著的專屬制服。這套造型在先前「水手風比基尼」的基礎上增加了更多配件，營造出更豐富的層次感與制服誘惑美學。 以下為您詳細拆解這套服裝的構造與露出部位： 👘 服裝構造詳述 水手條紋比基尼套裝 (Sailor Stripe Bikini Set)： 上衣：藍白橫條紋掛脖比基尼，中心飾有紅色小蝴蝶結。 下裝：成套的條紋比基尼，兩側有紅色細帶裝飾。 海軍風格飾品： 海軍小帽：白色底搭配藍色飾帶與金色錨狀徽章，斜戴在頭上。 紅白領巾 (Ascot Tie)：頸部繫有一條精緻的紅白配色絲巾，為性感的泳裝增添了正式的航空或海軍制服感。 腿部配件 (Legwear)： 白色大腿襪 (Thigh-high Stockings)：半透明的白色絲襪，長度延伸至大腿中段。 紅色蕾絲襪口：襪子頂端帶有紅色蕾絲邊或紅色繫帶，與上身的紅色元素完美呼應。 手部配件： 白色皺褶手套 (Ruffled Gloves)：手腕處帶有波浪邊的短版手套，營造出偶像般的華麗感。 🧍 身體露出部位詳述 這套制服透過「局部的遮蓋」來強化「重點的露出」： 核心軀幹 (全面裸露)： 完整腹部：從胸部下緣到泳褲上緣，整個腹肌線條、馬甲線與肚臍完全一覽無遺。 側腰與髖部：低腰泳褲展現了纖細的腰部曲線。 上肢與肩頸： 肩頭與鎖骨：雖然頸部有領巾，但肩膀與鎖骨依然大面積露出。 雙臂：除了手腕處的手套外，整條手臂完全裸露。 下肢「絕對領域」： 大腿肌膚：在極短的泳褲與白色大腿襪之間，保留了一段明顯的肌膚露出區塊。這種「襪子以上、內褲以下」的空間是日系服飾中最具代表性的性感設計。 上胸輪廓： 掛脖式比基尼的深 V 剪裁強調了上胸的線條，紅色領巾則起到導引視覺的作用。 🎨 總結 這套穿搭的核心在於「紅白藍」三色的重複堆疊。雖然穿著了長襪與手套等額外配件，但透過大面積的腰部裸露以及腿部的絕對領域，依然保持了強烈的夏日清涼感與視覺張力。
- Size
- 1024 x 720
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 3.5
- Negative
- zPDXL3, deep_negative_pony, zPDXLrl-neg, zPDXLxxx-neg, safe_neg, score_4, score_5, score_6, bad body, long body, poorly drawn hands, poorly drawn legs, (extra limb:1.1), (floating limbs:1.1), (disconnected limbs:1.1), (malformed limbs:1.1), (missing limb:1.1) (malformed hands:1.1), (mutated hands:1.1), (bad hands:1.1), (extra hands:1.1), (malformed legs:1.1), (mutated legs:1.1), (bad legs:1.1), (extra legs:1.1), (missing fingers:1.1), (fused fingers:1.1), (too many fingers:1.1), (mutated fingers:1.1), (missing toes:1.1), (fused toes:1.1), (too many toes:1.1), (mutated fingers:1.1), (bad feet:1.1),
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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