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- Original Prompt
- A young girl named Puchiko stands in a sunlit field of sunflowers, smiling brightly and reaching toward the viewer with a single sunflower held in her outstretched hand. She has warm brown eyes, long brown hair worn in low twintails with tiny bells and small ahoge sticking up at the crown. She's wearing a soft pastel blue sundress in a layered style, finished with a bow tied at the back, all in gentle pastel tones. A striped cat hat trimmed with a flower sits on her head, and a small cat tail peeks out behind her, paired with cute paw-shaped shoes. The sunflower field stretches around her with a worn grass path winding through, the sky overhead a clear, bright blue. Warm sunlight pours over the scene, catching in her hair and the petals of the flowers, giving everything a soft, happy glow as she looks directly at the viewer with a joyful expression.,[both hands visible, fingers spread, ten fingers visible, clear finger separation, defined knuckles, subtle joint detail, natural hand anatomy, natural nails, visible fingernails.],((improve_image)),., koge-donbo style, big eyes, 2000s style
- Mode
- ultra
- Size
- 1536 x 1536
- Negative
- lowres, bad anatomy, bad hands, bad proportions, worst quality, low quality, normal quality, jpeg artifacts, blurry, watermark, signature, username, text, logo, error, cropped, extra fingers, missing fingers, fused fingers, mutated hands, malformed limbs, extra limbs, missing limbs, deformed, disfigured, mutation, extra arms, extra legs, bad feet, bad hands, dark, gloomy, monochrome, grayscale, dull colors, muted colors, sepia, realistic, 3d, photorealistic, night, dark sky, cloudy, rain, indoor, cluttered background, multiple girls, 2girls, nsfw, nude, revealing clothes, cleavage, suggestive, messy hair, asymmetrical hair, multiple tails, no tail
Model & LoRA used
1 private models used
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โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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