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Bondrewd, Made in Abyss

#Made in Abyss#Bondrewd
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bondrewd, made in abyss, covered face, black helmet, black coat, ascot, long sleeves, black pants, tail, (tall male:1.2), ((solo)), monochrome, ominous, mysterious atmosphere, ((8-bit)), pc-98 (style), pixel art, ((masterpiece)), ((best quality)), ((ultra-detailed)), subarashii pose, spread arms, outstretched arms, indoors, factory, powerplant, laboratory, ((straight-on)), ((upper body)), dynamic angle,
Show Parameters
Size
768 x 768
Sampling Steps
18
Sampling Method
Euler a
CFG Scale
2.5
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
HiRes

Model & LoRA used

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AI artwork
Avatar image of らり
artist:H.R.Giger, dark aesthetics, grotesque, biomechanical, oppressive atmosphere, surrealism art, totem, symmetry, mecha, solo, gorgeous armor, no humans, glowing, detailed robot, robot joints, complex full armor, detailed, bondrewd\(made in abyss\), 1boy, black coat, overcoat, ascot, black gloves, helmet, masked, long sleeves, black boots, black pants, outstretched arms, monster, claws, tail, extra eyes, broken mask, score_9, score_8_up, score_7_up, source_anime, (((masterpiece,intricate details,ultra hires,illustration,detailed,4k,highest quality,ultra hd,high resolution,absurdres,8k,official visual,sharp lines,vivid contrast, glossy texture,aesthetic)))
らり
AI artwork
Avatar image of Facundo Alonso
character: bondrewd lineart, monochrome, black and white, greyscale, clean crisp solid lines, no shading, no color, solo, 1boy, male focus, helmet, faceless, covered face, wide-brimmed helmet, mask, black coat, long coat, coat, black gloves, black suit, formal clothes, ascot, black ascot, black pants, tail, claws, purple eyes, from below, cowboy shot, dutch angle, standing, one hand raised, head tilted up, looking up, flowing coat, wind, empty background, geometric background, sketch, closed lineart A single tall male figure in a wide-brimmed helmet that covers his entire face, the smooth curved brim tilted so the underside is a shadowless dark curve, rendered entirely in unbroken black contour line on plain white ground. Low dutch angle looking up at him from knee height: the helmet's rim slices across the frame at a diagonal, the long black coat opening from the throat in two clean lapels, the black ascot knotted at the collar drawn in tight cross-hatch-free line, the black gloves articulated at every knuckle, the black suit and pants indicated by parallel contour lines only, the long tail curving out behind the coat hem in a smooth tapered line and the claws on one glove picked out as three sharp line-points. Weight settled on his left leg, right hip dropped, torso turned three-quarters toward the frame's right edge, chin tipped up under the brim so the hidden head reads as looking up and away past the upper right corner, out of frame. One gloved hand lifted to chest height, fingers half-curled around the ascot knot as if adjusting it, elbow out; the other arm hangs loose behind the coat's swing. The coat's right side and the tail are both swept to the left of frame by a wind from the right, so the fabric bellies out and the hem's contour lines spread and open into a fan of parallel strokes, the tail streaming the same direction as a single continuous sweep. Behind him an empty white field broken only by a few faint grey construction lines and a thin horizontal rule at the horizon, no scenery, the figure occupying the center-right two-thirds and leaving the upper left quiet. Line weight alone models depth: heaviest on the near shoulder, the helmet's front rim and the glove; hairline-thin on the far arm, the far coat edge and the tail's distant curve, and where the coat overlaps the leg, the far contour stops at the near edge. Light direction implied solely by the line hierarchy, light from the upper left. Pure white ground, pure black ink, nothing between. Crisp, imposing.
Facundo Alonso

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