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- Original Prompt
- 傑作、最高品質、8k、HDR、一人の女、解剖学的に正しい (((日本語効果音:2.0))),(((3コマ漫画:2.0))) 1人の少女, ソロ, アニメ風, 小柄, 低身長, 華奢な体型, 細い腰, 色白の肌, 豊満な胸, 自然な胸の形, プラチナブロンドの長髪, とても長い髪, ポニーテール, 高い位置のポニーテール, 白いリボン, 前髪あり, なめらかな髪, 整った顔立ち, 美しい顔, , 上品, , , 優雅, , 青い瞳, 澄んだ青い目, 鋭い視線, エロティックな巫女装束, , 白い着物の上衣, 赤い袴, 長い袖, 広い袖, 袖分離, 儀式的な服装, , 自然な胸元のライン, ,Shigure Ui style 身長149cm, 低身長, 小柄な少女, 華奢な体型, 細身, 非常に大きな胸, Tカップ, 超巨乳, 圧倒的なバストサイズ, 体に対して不釣り合いに大きな胸, 小柄な体に対して大きすぎる胸, 柔らかい胸, 自然な重み, 服の上からわかるボリューム, 細いウエスト, 引き締まった腰, くびれ, 極端なくびれ, 胸と腰の強いコントラスト, hourglass figure ,breasts on glass,cheek on glass,blurry foreground,((Angle to see inside from outside)),((The train was jam-packed during rush hour, Men-only train was crowded to capacity,Crowd males tightly surrounded her,Commuters are pressed close around her)),
- Size
- 768 x 1280
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 5.5
- Negative
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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