School Spring Uniform No.48(Michiyo Goto)
■ 学校設定 長崎県立 佐世保異文化共創高等学校 (所在地:長崎県佐世保市・ハウステンボス通学圏) ⸻ ■ 学校概要 長崎の対外交流史(出島・南蛮文化)と港湾都市としての地理的特性を活かし、 異文化理解+実践活用を軸にした教育を行う公立高校。 観光・語学・地域連携を組み合わせ、 “現場で使える知識”に重点を置いている。 ⸻ ■ 生徒数 約840名 * 男子:約350名 * 女子:約490名(女子比率やや高め) ⸻ ■ 学校の強み・特色 ● 異文化実践教育 * 英語重視+第二外国語(中国語・基礎オランダ語) * 接遇・観光対応・文化理解を実践形式で学習 ⸻ ● 海洋リテラシー教育 * 潮流・風・海況の基礎理解 * 水辺活動における安全意識の習得 ⸻ ● 地域連携フィールドワーク * ハウステンボス周辺での実地学習 * 観光客対応・簡易ガイド体験 ⸻ ■ 部活動 ● ボート部(県上位) * 佐世保湾・大村湾を活用 * 安定した実績を持つ準強豪 ⸻ ● ヨット部(地域特化) * 風と海況判断を重視 * 実践型の海洋競技 ⸻ ● 国際コミュニケーション部 * 英語+多言語対応 * 地域イベント・観光対応活動 ⸻ ● 吹奏楽部 * 地域イベント出演多数 ⸻ ■ 制服 ● 基本仕様(画像ベース) * ライトグレーブレザー(細身・柔らかい色調) * ネイビープリーツスカート(動きやすさ重視) * ホワイトシャツ+ネイビーネクタイ * 白ソックス+ブラウンローファー ⸻ ● 制服の特徴 * 欧風建築と調和する落ち着いた色設計 * 観光地でも違和感の出ないフォーマル寄りデザイン * 日常着としての機能性と景観適応性の両立 ⸻ ■ 小物(画像設定) * ぬいぐるみ(私物) * 通学用バッグは未所持(放課後の寄り道状態) ⸻ ■ 通学・行動範囲 * JR大村線+徒歩通学 * ハウステンボスは放課後に立ち寄れる距離 ⸻ ■ 総合 * 異文化教育:★★★★★(実践型で強い) * 地域連携:★★★★☆(観光地活用が明確) * 部活動:★★★★☆(海洋系が強み) * 制服設計:★★★★☆(景観適応型で独自性あり) * 現実性:★★★★☆(十分成立するレベル) 👉 「長崎の特性(海・観光・異文化)をバランス良く統合した実在感の高い学校設定」
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author
Face Fix
HiRes
Model & LoRA used
Similar Images
Show moreExplore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ゚◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).。*♡ 🍁 ☕
(mai)
Comments