Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

AI art "火星の無人兵器" featuring #Mecha, #Camouflage, #Cannon, #No humans, #Science Fiction and #Mars
Generate New ArtworkGenerate for FreeGenerate for Free

火星の無人兵器

同じテーマをイロイロいじってるけど難しいですね。

#Mecha#Camouflage#Cannon#No humans#Science Fiction#Mars
Avatar image of yanosan

yanosan

More to See

Comments

A slightly low-angle shot from the right captures a Martian reddish-brown wasteland littered with large angular rocks, under a thin reddish-black night sky dotted with stars, with distant Olympus Mons on the horizon. Centrally positioned slightly left, occupying about 1/6 of the frame, is a non-humanoid robot weapon with a large hemispherical brown dome body in camouflage of deep green and black spots protruding forward, backward, left, and right from a narrow rectangular waist (body:waist ratio 5:1), supported by bird-like jointed legs; no hands or neck. Suspended from the left underside by thin arms, a 3x2 vertical missile pod faces forward; from the right underside by thick arms and a belt-like ammo tube, a large machine gun faces forward. Central front embedded triple camera unit with roll bar guard flanked by two 1/8-scale square searchlights; upper sides have small rocket engines, top has rod antenna; side white triangle with blue Saturn mark. In background, a half-destroyed identical mecha lies collapsed; nearby air shows cigar-shaped reddish-brown spaceship dropping continuous small egg-shaped camouflaged pods, while another identical mecha rocket-lands lower. Anime illustration style, high detail, dynamic sci-fi atmosphere.
Show Parameters
Original Prompt
火星の赤茶色の荒野に大小の角の立った岩が落ちている。 空は薄い赤みがかかった黒色。 夜で何個かの星が見えている。 かなり遠くの背景にオリュンポス山が見える。 中央より少し左に人型ではないロボット兵器。 ロボット兵器の大きさは画面全体の1/6位の大きさ。 伏せた半球のドーム状の形の本体。本体の下に長方形の腰部。腰部から鳥の様な関節構造の脚部。 半球形の部分が腰に対して大きく前後左右に張り出している。 半球形の部分の表面には溶接された分割線がみえる。 胴体と腰の幅の比率は胴体が５に対し腰は１。 手は無い。首もない。 頭部にあたる構造はない。 張り出した胴体の左側の下面に縦3×横2の六連装ミサイルポッドが正面を向いて胴体下面から細い支持アームで吊り下げられている。 張り出した胴体の右側の下面に大型の機関砲が正面を向いて胴体下面から太い支持アームで吊り下げられている。 機関砲と胴体下部の間には吊り下げアームの他にベルト状の給弾チューブが繋いでいる。 3個のカメラをまとめたカメラユニットが胴体前面の中央に正面方向を向いた形で埋め込めれている。カメラユニットの周囲はロールバーでガードされている。 胴体前面の中央より左右に正面を向いて胴体の1／8の大きさの正方形のサーチライトが埋め込まれている。 胴体上部左右に小型のロケットエンジンが付いている。 棒状の無線アンテナが胴体の上面から延びている。 本体色は茶色をベースカラーで、深緑、黒の斑点で構成された迷彩。 胴体側面に白い三角に青い土星を組み合わせた小さなマーキング。 背景に胴体を半ば吹き飛ばされた同じ型状のメカが崩れ落ちている。 背景の山より近くの空中に葉巻型で赤茶色の塗装の宇宙船が見える。 宇宙船からは小型で卵形の物体が連続で投下されている。 卵形の物体の本体色は赤茶色をベースカラーで、深緑、黒の斑点で構成された迷彩。 それよりも低い高度にメインのメカと同タイプのメカがロケット噴射しつつ着地しようとしている。 画像のアングルは水平より少し下で右からの視点。 画像の中に人は存在しない。
Mode
lite
Size
1280 x 720

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.91k

Similar Images

Show more
AI artwork
Avatar image of thwsjrnotfml
A medium shot, low-angle view features a futuristic spider-like combat robot positioned centrally in a desolate sci-fi environment. The machine is encased in a polished white armored shell with a sleek, curved chassis, supported by multiple sharp mechanical legs crafted from matte black metal joints that grip the ground firmly. A single, glowing cyan central eye serves as its primary sensor, emitting a sharp light. Mounted on its dorsal plating is a heavy plasma cannon, its barrel humming with dormant energy. The robot's body is intricately detailed with visible hydraulic pistons, reinforced bolts, and technical panel lines, reflecting an aggressive military design. The background consists of a metallic, industrial wasteland with floating debris and distant smoking ruins. The lighting is stark and cinematic, casting deep shadows that emphasize the contrast between the white armor and the dark environment, all rendered in a high-quality anime illustration style with a clean, sharp focus.
thwsjrnotfml

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile