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- Original Prompt
- 高精細アニメ風イラスト、繊細で美しいBLカップル、教室の窓際、夕暮れの柔らかな自然光、静かで感情的な空気感 前景に華奢で中性的な青年、短めのダークネイビーの髪、透明感のある白い肌、儚げで切なげな表情、潤んだ瞳、制服の白シャツをラフに着崩している、開いた胸元から自然な鎖骨が見える、露出は控えめ 背後からもう一人の青年が優しく抱き寄せる構図、黒髪の青年、落ち着いた色気と穏やかな眼差し、耳元と首筋に顔を寄せている、恋人同士の親密な距離感、非過激で上品な雰囲気 首元に薄く自然なキスマーク、肌にうっすら残る赤み、汗の光沢を繊細に描写、シャツのシワと布の光沢感を丁寧に描き込む 人体構造は自然で正確、歪みなし、変形なし、5本指を正確に描写、瞳やまつ毛まで超精細、滑らかな陰影、柔らかなライティング, (strong linework:1.2), (black outline:1.2), (Black clear line:1.2), male, anime style, 2D illustration, delicate features, symmetrical face, highly detailed eyes, multi-layered eyes, clean anime lineart, cel shading, ultra detailed, masterpiece, best quality, SoftBoyStyle
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- nsfw,lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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青年
ヤマ
yp
ふんわり前髪のイケメン男子
yuan Pe
androgynous masculine art style, ethereal and delicate aesthetic, mysterious atmosphere, balancing fragile beauty and strong inner presence, high transparency, subtle lighting, intricate details. Dark brown hair, natural hair, slightly curly hair. The background is a normal room. Feeling like they are grabbing the viewer and pushing them down. Truly blushing slightly. A bit irritated (no marks). Skin color. Cute. Oversized white T-shirt. Showing only the upper body. Pushing the viewer down. Eyes slightly squinted. Sweating slightly.
user-1234567898765
Hd, masterpiece, 8K, extremely HiRes, detailed eyes, best quality, best detailed face, depth of field, 1boy, male focus, solo, cheng_xiaoshi, raven black hair, curly hair, light brown eyes, tall build, facial expression, spiky hair, looking at viewer, white shirt
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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