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Raven
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 4.5
- Negative
- human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated
Face Fix
Model & LoRA used
![[XL 1.0] Plague Doctor | Generic - AI Model cover image](https://images-ng.pixai.art/images/thumb/813a69e7-5f0c-4ed9-bd0b-e1c5316dc81d)
Similar Images
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1boy, solo, anthro, anthropomorphic crow, corvid, black feathers, large black feathered wings, wings folded on shoulders like a cape, shiny black beak, large red-brown eyes, attractive face, sharp handsome features, plague doctor inspired outfit, long black leather coat, high collar, leather gloves, wide-brimmed plague doctor hat, black leather belt, belt pouches, pouches with potions, vials, scrolls, spell components, holding cane, cane with crystal bird skull head, cane tucked in the crook of one arm, brooding, confident, half-closed eyes, looking to the side, slight head tilt, leaning back, inside tavern, fantasy brothel tavern, low angle, from below, cowboy shot, warm tavern light
The camera sits low and close and looks slightly up, holding him at three-quarter length with the crown of his wide-brimmed hat cutting the upper frame and the glass-tipped cane ending near the bottom edge; he has turned his body a half-step to the left so his right shoulder and the folded mass of his wings present themselves first to the lens. He does not face the viewer square: his chin is tipped down while his eyes angle off toward his right, up under the brim, tracking something across the room past the camera, and the low angle catches a single wet highlight along the top ridge of his glossy black beak and along the lower curve of the brim. His weight rests on his back foot with the front knee slightly soft, the coat falling open in a long vertical line, and his free gloved hand is hooked at the belt beside the pouches, thumb under the leather, knuckles bent; his other arm is clamped down along his ribs, elbow tight to his body, so the cane's shaft is gripped in the crook of that arm and hangs almost vertical, the crystal bird-skull head sitting just above the elbow and catching the warm lamp light so its facets break out in small cold sparks. The wings are not spread and not hidden: they drape from his shoulder blades forward over each shoulder and down his back so the outer primaries hang in feathered points across the upper back of the coat, the feather tips overlapping the leather collar, and the smallest covert feathers riffing in the tavern's rising warm air. The belt's pouches sit heavy and lumped with weight, one flap pushed down and not re-buckled, the glass shoulders of two stoppered vials peeking above the leather, and a rolled scroll end projecting from a side pocket. Background: a low fantasy brothel-tavern, deep but soft-focus behind him, with a carved bar counter and clustered amber bottles, a velvet-draped alcove, a red-lit hanging lantern, and the suggestion of gilt-trimmed cushions and a curving banister behind the haze, all muted to dark browns, burgundy and candle-amber so the figure owns the sharpest contrast in the frame. The only strong light source is a cluster of hanging lamps behind and to his left, which rims his hat brim, the shoulder feathers and the cane's crystal in warm gold while keeping the front of his face in a soft, shadowed half-tone; a low hearth glow from the right edges the beak and the eye. His cast shadow falls thick and dark on the floorboards toward the right of frame, its wing shape blurred where the lamps are broad. Palette discipline: black feathers and leather, warm brown eyes with a rust-red catchlight, burgundy and amber only in the background, and one cool violet-white spark in the crystal. Brooding, quietly magnetic.
MalletMann
Omikron, Plague Doctor Cyborg #4
Diatom
1boy, solo, anthro crow man, avian humanoid, shiny black beak, large red-brown eyes, black feathers, black wings folded over shoulders like a cape, long black plague doctor coat, black leather gloves, wide-brimmed plague doctor hat, black belt, leather pouches with glass potions and rolled spell scrolls, holding cane in crook of arm, crystal bird skull cane head, brooding, confident, lowered brow, half-lidded eyes, looking to the side, cowboy shot, from below, leaning back against wall, head turned three-quarter, crossed ankles, fantasy brothel tavern, dim candlelight, deep crimson and gold palette
The camera looks up from slightly below waist height at a three-quarter angle: one anthro crow man stands alone, leaning his left shoulder and upper arm against a carved wooden pillar of a fantasy brothel tavern, one ankle crossed over the other, weight carried on his right leg, his body angled toward the pillar while his head turns back over his right shoulder and his large red-brown eyes look down and off to the side, past the frame, half-lidded under a low, level brow. His shiny black beak catches a thin hard highlight along its ridge. Feathers lie sleek around his cheeks and jaw in an attractive, sharp-boned face; the wide brim of his black plague doctor hat shadows the upper half of his face, and its long curved beak-mask brim tips just above his brow.
His long black plague doctor coat hangs open a hand's width down the chest, its leather waxed and creased at the elbows; both hands are sheathed in black leather gloves, the right hand loosely curled, and in the crook of his left arm — forearm clamped against his ribs — he carries a dark walking cane laid diagonally across his body, its head a carved bird skull of cloudy crystal that glows faintly from within, so the crystal throws a small pale-green pool of light onto the underside of his jaw and the top of his glove. A black belt cinches his waist, and from it hang three leather pouches, one flap unclasped so that glass vials of amber, violet and clear liquid show their waxed stoppers, and a fan of rolled spell scrolls is tucked beside them. His large black wings are folded down and wrapped forward around his shoulders like a living cape, overlapping the coat's collar, their long primaries hanging to his elbows and their glossy barbs reflecting the room's candlelight in thin blue-white streaks.
Behind and around him the fantasy brothel tavern recedes: a low-ceilinged room of dark carved wood, red velvet drapes swagged across a balcony rail, brass censers, and hanging paper lanterns glowing warm rose and gold; soft-focus figures of other patrons and silhouettes of draped couches sit deep in the background, deliberately out of focus, none of them in focus or near the crow man. The only light on him is the crystal cane and a cluster of candles to his right, so his right side is warm and lit and the left side of his coat falls into near-black shadow; the room beyond glows in dust-softened reds and ambers behind a haze of incense smoke. Candle flames and lanterns are the only warm sources; the crystal is the only cool one. Palette locked to black, crimson, antique gold and a single cold green glint at the cane. Quiet, dangerous charm.
MalletMann
1boy, solo, anthro crow man, avian humanoid, shiny black beak, large red-brown eyes, black feathers, black wings folded over shoulders like a cape, long black plague doctor coat, black leather gloves, wide-brimmed plague doctor hat, black belt, leather pouches with glass potions and rolled spell scrolls, holding cane in crook of arm, crystal bird skull cane head, brooding, confident, lowered brow, half-lidded eyes, looking to the side, cowboy shot, from below, leaning back against wall, head turned three-quarter, crossed ankles, fantasy brothel tavern, dim candlelight, deep crimson and gold palette
The camera looks up from slightly below waist height at a three-quarter angle: one anthro crow man stands alone, leaning his left shoulder and upper arm against a carved wooden pillar of a fantasy brothel tavern, one ankle crossed over the other, weight carried on his right leg, his body angled toward the pillar while his head turns back over his right shoulder and his large red-brown eyes look down and off to the side, past the frame, half-lidded under a low, level brow. His shiny black beak catches a thin hard highlight along its ridge. Feathers lie sleek around his cheeks and jaw in an attractive, sharp-boned face; the wide brim of his black plague doctor hat shadows the upper half of his face, and its long curved beak-mask brim tips just above his brow.
His long black plague doctor coat hangs open a hand's width down the chest, its leather waxed and creased at the elbows; both hands are sheathed in black leather gloves, the right hand loosely curled, and in the crook of his left arm — forearm clamped against his ribs — he carries a dark walking cane laid diagonally across his body, its head a carved bird skull of cloudy crystal that glows faintly from within, so the crystal throws a small pale-green pool of light onto the underside of his jaw and the top of his glove. A black belt cinches his waist, and from it hang three leather pouches, one flap unclasped so that glass vials of amber, violet and clear liquid show their waxed stoppers, and a fan of rolled spell scrolls is tucked beside them. His large black wings are folded down and wrapped forward around his shoulders like a living cape, overlapping the coat's collar, their long primaries hanging to his elbows and their glossy barbs reflecting the room's candlelight in thin blue-white streaks.
Behind and around him the fantasy brothel tavern recedes: a low-ceilinged room of dark carved wood, red velvet drapes swagged across a balcony rail, brass censers, and hanging paper lanterns glowing warm rose and gold; soft-focus figures of other patrons and silhouettes of draped couches sit deep in the background, deliberately out of focus, none of them in focus or near the crow man. The only light on him is the crystal cane and a cluster of candles to his right, so his right side is warm and lit and the left side of his coat falls into near-black shadow; the room beyond glows in dust-softened reds and ambers behind a haze of incense smoke. Candle flames and lanterns are the only warm sources; the crystal is the only cool one. Palette locked to black, crimson, antique gold and a single cold green glint at the cane. Quiet, dangerous charm.
MalletMann
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