Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

School Spring Uniform No.52(Nausicaä)

鹿児島県立 桜汐国際高等学校 (架空設定/鹿児島県鹿児島市・城山周辺) 城山の高台と桜並木に囲まれた、多文化共生教育を重視する国際総合高校。石垣坂道から錦江湾と桜島を望む通学路が象徴的で、鹿児島市中心部・吉野・伊敷・姶良方面などから生徒が通学している。 ⸻ 学校の教育方針 海外留学生の受け入れを積極的に行い、「異文化理解」を教育の柱としている。校内では多国籍な生徒が共に学び、文化背景まで理解する実践型授業を展開。 主な選択授業 * 実践英会話 * 韓国文化研究 * 中国語会話 * 世界音楽史 * 多文化社会論 * 国際アート研究 * 観光コミュニケーション 海外交流イベントや留学生合同プロジェクトも盛んで、自然に国際感覚を身につけられる環境が特徴。 ⸻ 生徒数・男女比 * 全校生徒数:約1,120名 * 女子58%/男子42% * 留学生比率:約18% ⸻ 制服紹介(女子制服) 「港町の透明感」と「春の桜」をイメージした現代セーラー制服。 上衣 * アイボリーホワイト生地 * 深緑ライン入りセーラーカラー * 大型ブラックリボン * 校章エンブレム付き スカート * 深緑プリーツスカート * 坂道通学向け軽量設計 靴・小物 * 生成り色ルーズソックス * ダークブラウンローファー * キャメルブラウンのレザースクールバッグ 校章は桜島と海風をモチーフにしたデザイン。 ⸻ 主な部活動 国際文化系 * 国際交流部 * 世界料理研究部 * 海外映画研究部 * 多文化研究会 音楽・芸術系 * ワールドミュージック部 * 民族楽器研究会 * 写真映像部 * イラスト研究会 スポーツ系 * フットサル部 * 陸上競技部 * 弓道部 海外文化・民族音楽・異文化スポーツ交流など、多文化教育と連動した活動が特徴。 ⸻ 学校の強み・特徴 「世界と鹿児島をつなぐ学校」を理念とし、港町鹿児島の地域性を活かした国際教育を展開。桜並木と坂道の美しい通学風景も学校の象徴となっている。

More to See

Comments

Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author
HiRes

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬