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Based on G.BA7 โs prompt. Thanks๐ G.BA7 (But the result is โฆ ๐ญ๐ข)
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- Original Prompt
- [Lunch atop skyscraper], 1840s laborers, a The image shows a group of men (laborers) sitting on top of a building, eating their lunch atop a skyscrapers, looking out at the view of the city below. The men are sitting on a metal railing, with one of them holding lunch box, eating foods, and the buildings and sky in the background are visible. The image is in black and white, movie scene, zeiss planar 50mm f/0.7, pro mist 2 filter, stills archive, warner bros .com, realistic, detailed, cinematic,(realistic),neo noir, photography, Nick Miller, realistic, broody atmosphere, low-key lighting, slanted shadows, unbalanced composition, soft lighting, photo,(realistic),neo noir, photography, Nick Miller, realistic, broody atmosphere, low-key lighting, slanted shadows, unbalanced composition, soft lighting, photo,neo noir,photography,Nick Miller,realistic,broody atmosphere,low-key lighting,slanted shadows,unbalanced composition,soft lighting,photo,(realistic), short hair, long sleeves, holding, hat, sitting, shoes, monochrome, outdoors, multiple boys, greyscale, glasses, crossed arms, sneakers, holding phone, building, handgun, 5+boys, city, cityscape, 5men, skyscraper, safety helmets, tower, [Lunch atop a Skyscraper:1.2], photography, photorealistic, B&W photo, black-and-white, Lunch box, food, eating foods, โ Lunch atop a Skyscraperโ is a black-and-white photograph taken in 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City. It was a staged photograph arranged as a publicity stunt, part of a campaign promoting the skyscraper. (masterpiece, best quality:1.7), (ultra detailed:1.3), (extremely detailed illustration:1.7), (high resolution, sharp focus), (clean lineart with painterly shading:1.5), (ultra refined rendering:1.6), (young construction boys sitting on steel beam:1.9), (high altitude construction site:1.9), (standing still on narrow steel structure:1.9), (full body, stable standing pose:1.8), (one hand firmly gripping vertical rope:1.9), (other arm relaxed downward:1.4), (slight body lean for balance:1.5), (looking down toward viewer:1.9), (confident calm expression:1.4), (extreme low angle shot:1.95), (dynamic cinematic composition:1.7), (short work overalls pants:1.7, short overalls, thigh-length work pants), (suspender straps over shoulders:1.8, tight work suspenders), (tool belt with detailed tools:1.6, white t-shirt, harness straps, work gloves:1.5), (detailed construction outfit with fabric folds and tension:1.6), (short dark hair, slightly messy tied hair:1.4), (high contrast sunlight, strong rim light:1.5), (realistic light scattering and shadow casting:1.5), (ultra fine detail:1.7), ,<lora:LCMTurboMix2fix:1>, ,AddXL,((4k,8k,Ultra HD)),((Masterpiece :1.2)),((Best quality :1.2)),((Detailed :1.5)),((Detailed background :1.5))
- Size
- 1280 x 720
- Sampling Steps
- 10
- Sampling Method
- Euler a
- CFG Scale
- 1.5
- Negative
- bad quality,worst quality,worst detail,sketch,censor, nsfw
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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