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- Original Prompt
- (清楚區分兩個角色) 傑作, 最佳品質, 超高解析度, 8k, 極致細節, 一男一女, 清楚區分兩個不同角色, 無特徵混淆, 角色特徵分離明確 （畫面場景在原神裡風起地的樹下，兩人頭上戴著一樣的花圈，站在地上充滿蒲公英盛開的地上，周圍飄著蒲公英的種子，伴隨著花瓣圍繞著兩人翩翩起舞） （25歲年輕女子, 美麗臉龐, 臉頰微紅, 害羞的表情, 金色瞳色, 銀白睫毛, 白皙肌膚，銀色頭髮漸變藍色髮尾, 長長的麻花辮, 法式長瀏海, 頭上一撮呆毛, 衣服是可愛款式的蘿莉塔裙，上面有許多細緻的裝飾品，荷葉邊、緞帶、可愛的裝飾等等，大腿，裸肩，高跟鞋，右耳戴藍色水晶菱形單耳墜） （原神凱亞, 男性, 古銅色肌膚, 藍色長髮低馬尾, 右眼戴黑色眼罩, 藍色瞳孔, 穿藍色胸前菱形簍空上衣, 深色長褲有金色刺繡，凱亞寵溺的注視著女子，嘴角揚起寵溺的笑容） 動作：（兩人在風起地的大樹下充滿蒲公英盛開的場景裡，兩人頭髮隨風搖曳，女凱亞牽著女子的手高高舉起，女子被凱亞牽起轉圈起舞，兩人在風起地的大樹下翩翩起舞） 遠距離, 動態角度, 浪漫氛圍, 溫暖光線, 細膩光影, 從側面或斜上方光線,畫風韓系半擬真,Man, woman, beautiful face, whole body, beautiful eyes, semi-realism, realism, handsome teenager, beautiful woman, side face, blindfold, samurai sword, flower,masterpiece, korean manhwa style, digital illustration, clean delicate linework, smooth gradients, soft skin tones, detailed eyes, sharp eyelids, long eyelashes, refined rendering, enchanting fantasy design, looking at viewer, elegant pose, korean manhwa digital illustration with clean delicate linework, smooth gradients, soft skin tones, detailed eyes with sharp lids & long lashes, refined rendering, enchanting fantasy design ,ambient_real, cinematic_air, softair
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 6.8
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Face Fix
Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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