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邱志翔

邱

邱志翔

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character: tifa_lockhart, Mechasaurus Saki, cel-shaded, clean lines, anthropomorphic dinosaur cyborg, two nasal horns, white sclera, black pupils, white highlight, purple mouth interior, gray small plate in top head, brown bumpy reptile skin, conical black neck, orange segmented belly armor, breast green vest with shoulder pads, giant white scythe claw integrated in right arm, organic bumpy brown left arm with black claws, thick brown tail with orange underside, large three-toed feet with black claws, scenery, long shot! Eye-level shot! No censorship. The time is night. In a dilapidated wooden compartment, the environment is dirty and messy, there is a box on the floor containing money. Tifa is being penetrated from behind by a dinosaur monster (skin covered with randomly distributed dark red raised papules and nodules. These bumps have a fleshy texture, are dark red in color, and appear inflamed). Tifa has long leg lines, platform high heels, fishnet stockings, no underwear, breasts fully exposed, and heavy makeup. Semen (dark yellow) flows down Tifa's thigh from her lower body. Used condoms and tissues are scattered on the floor. Several men are watching nearby. Full-body shot of Tifa. anime illustration. great quality, best quality
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Original Prompt
远景镜头！平拍！无码。时间是晚上。在破烂木质隔间，环境比较脏乱，地上有个盒子里放着钱。tifa被恐龙怪兽（皮肤上布满了散乱分布的暗红色隆起丘疹和结节。这些肿块呈现出肉质的质感，颜色暗红，看起来有炎症）从后面插入做爱。tifa腿部线条修长，防水台高跟鞋，渔网丝袜，没穿内裤，乳房完全暴露出来，妆容艳丽。tifa下体有精液(暗黄色)顺着大腿流出。地上散落着用过安全套和纸巾。附近有几个男人在围观，tifa全身照。
Mode
standard
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.67k
Mechasaurus Saki (Getter Robo)🦖メカザウルス・サキ(ゲッターロボ) - AI Model cover image

User LoRA

Mechasaurus Saki (Getter Robo)🦖メカザウルス・サキ(ゲッターロボ)
2

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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