Show Parameters
- Original Prompt
- A 44-year-old Japanese mature woman, Reiko, lying on a king-size hotel bed. Oval face, full lips slightly parted, sultry half-lidded brown eyes looking directly at the viewer. Shoulder-length dark brown wavy hair spread on white pillow. Heavy natural makeup smudged slightly. Expression: lonely, needy, seductive. Wearing a dark red silk nightgown, thin straps, lace trim, partially slipping off one shoulder revealing mature collarbone and the upper curve of her breast. Nightgown sheer enough to hint at her body underneath. Soft belly, full hips, thick thighs pressed together. POV shot from above or from the foot of the bed. One leg bent, showing her bare foot with perfectly pedicured red toenails. Hotel room background: dim golden lighting, messy white sheets, city lights through curtain gap. Realistic photography, sensual, erotic, intimate atmosphere. NSFW allowed. Milf, mature woman, realistic body., A mature woman of elegance and seductive beauty.,huge areolae,huge nipples,puffy nipples,long nipples, flat chest, small breasts, medium breasts, large breasts, huge breasts, gigantic breasts,perfect_feet, feet_visible_during_sex, feet_up_missionary, reverse_suspended_congress, toe_curling_sex, cum_on_feet, spread_out_toes
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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