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Cosplay
Yuri Sakazaki inspired cosplay of Kit bodega (kinda)
Show Parameters
- Original Prompt
- masterpiece, best quality, ultra-detailed, 8k, anime style, King of Fighters official art style, Yuri Sakazaki cosplaying as Kit from GameOverse, beautiful energetic young woman, brown hair in high ponytail, cheerful excited expression, open mouth smile, sparkling brown eyes, wearing exact Kit's outfit: bright yellow hoodie with white accents, black pants, large yellow gauntlets with red tips, big yellow boots with pink/red soles, brown tail, yellow cat ears headband, dynamic action pose exactly like Kit: jumping mid-air in combat stance, one leg bent, other extended, one arm forward holding a large yellow circular energy shield with red rim and glowing purple core, other arm pulled back, energetic and powerful pose, black background or simple dark setting to highlight the character, dramatic lighting, vibrant yellows and purples, sharp focus, highly detailed face and clothing, perfect costume replication, KOF anime aesthetic, ,ysakazaki, brown hair, brown eyes, single braid, dougi, sneakers, spandex, headband, fingerless gloves,Furry Female, Brown Hair, Short Hair, Red Eyes, Yellow Clothes, Bare shoulders, Yellow Armwear,Pokse Style, shiny skin, thick thighs, wide hips, huge breasts, blushing, sweat, 1pokemon, large penis, large testicles,
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- lowres, bad anatomy, bad hands, deformed, extra limbs, blurry, low quality, watermark, text, signature, cropped, worst quality, jpeg artifacts, human ears, no tail, wrong outfit color
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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