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魚エクササイズ

ムチムチしやがって

#Fat
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fish monster, human legs growing from fish, thick legs, fishnet stockings, red high heels, monster, large round eyes, teary eyes, plump lips, fish man, ((no human)), mayutanzkungfu, multiple views, (motion lines:1.5), action pose, flying kick, kung fu pose, jojo pose, kicking, the pose, (no human), (((no human)))
Show Parameters
Original Prompt
魚の怪物 魚から人の足が生えている 太い足 網タイツ 赤いハイヒール モンスター 大きく丸い瞳 潤んだ瞳 たらこ唇 魚男 ((no human)),mayutanzkungfu, multiple views, (motion lines:1.5), action pose, flying kick, kung fu pose, jojo pose, kicking, the pose,(no human)(((no human)))
Size
1024 x 1024
Sampling Steps
15
Sampling Method
Euler a
CFG Scale
5.5
Negative
nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly human ARM

Model & LoRA used

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AI artwork
r
character: jeff_the_land_shark. In a high-angle shot looking down from above, a chubby and short baby shark, jeff_the_land_shark, is positioned centrally, (looking up at the viewer:1.3) with direct eye contact. He has a pastel sky-blue upper body and a creamy pearl-white underbelly with soft gradient skin and pink blushing cheeks. His features include a tiny rounded dorsal fin, stubby pectoral fins positioned low on the body, and glossy, sparkling black eyes. His mouth is silly and open, showing tiny rounded baby teeth and a small pink tongue, as he is (biting a fish:1.2) with the fish tail sticking out of his mouth; he holds the fish with his stubby fins, causing his cheeks to look stuffed and happy. The scene is framed as a fake screenshot from an anime illustration. The background is a simple, clean environment that emphasizes the character's adorable art style. The lighting is bright and soft, enhancing the pastel color palette and the cute, cheerful mood of the scene.
RAM?
AI artwork
d
1boy, shark boy, shark fin, shark tail, shark nose, overall, overall suit, back view, standing, one hand on hip, boots, gloves, full body on frame, natural relaxed pose, casual posture, relaxed shoulders, natural body language, slight asymmetry, subtle weight shift, comfortable stance, dynamic posture, natural limb positioning, slightly bent joints, relaxed arms and hands, natural hand placement, realistic balance, gentle body movement, organic pose, candid pose, not stiff, not rigid, not symmetrical, repzzmonster, repzzmonster
dssadsasdasads

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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