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- Original Prompt
- captainexcelsior,erbrobruh, erbrobruh style, correct anatomy,boca aberta,sorriso, mulher maior, olhar fofa,Corpo hipersexulizado curvilíneo, hips colossal,corpo de mãe maduro, proporções muito exageradas (hips bunda enorme seios enorme quadris largas coxa grossa aréola enorme hiper colossal,14boys 1girls abortion_mark affection_meter alternate_version_available armpit_hair armpits arms_behind_head balls bar_censor blush body_writing breasts breasts_bigger_than_head camera_view censor_bar censored collar cow_ears cow_outfit dark-skinned_male defeated defeated_heroine degradation english english_text text corretos bonito qualidade,falação, sobre sexo gameplay_mechanics gangbang gigantic_breasts gigantic_penis groping groping_breasts heart heart-shaped_pupils huge_balls huge_breasts huge_cock huge_nipples imminent_gangbang imminent_sex interracial k_h02 kiss_mark kiss_mark_on_penis leash licking_penis light-skinned_female massive_penis mind_break multiple_boys netorare nipples penis pleasure_face precum precum_drip pubic_hair purple_hair qos recording ribbon smegma submissive submissive_female surrounded_by_penises tattoo testicles text toilet_symbol )ranslated variant veiny_penis Morgana Le Fay (Destino) worship
- Size
- 720 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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