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ホラースポットに来てみた!(みんな見て〜!)

ことねー!前ッー!

#The Idolmaster#Horror#Gakuen Idolmaster#Kotone Fujita
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hand drawn style, 1girl, ossan (ugly man), nighttime, tunnel, holding up 4 fingers, cute pose, selfie, ghostly figure, yokai, watching from behind, looking at viewer, masterpiece, ultra detailed, Kotone Fujita (The Idolmaster), PLEASE VISIT https://civitai.com/models/992174/kotone-fujita-gakuen-idolmster-illustriousxl FOR TAGS
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hand drawn style, Ossan (ugly man), PLEASE VISIT https://civitai.com/models/992174/kotone-fujita-gakuen-idolmster-illustriousxl FOR TAGS 夜のトンネルで4本の指を立てて可愛いポーズを決めて自撮りをして居る彼女。その背後に幽霊や妖怪みたいなオッサンが彼女を見守る様に立って見つめて居る。
Size
768 x 1280
Sampling Steps
12
Sampling Method
Euler a
CFG Scale
2.5
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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Avatar image of 句点むら寿司
character: azusawa_kohane, copyright: project_sekai azusawa_kohane, project_sekai, vivid_bad_squad, 1girl, ghost, male ghost, 2others, from below, full body, foreshortening, leaning forward, blonde hair, short twintails, yellow eyes, open mouth, tongue out, crazy grin, grin, seductive smile, half-closed eyes, blush, tongue, pulling own clothes down, exposed chest, shirt grab, chest grab, selfie, smartphone, holding phone, outstretched arm, purple aura, dark alley, night, standing on tiptoes, feet, bare legs, miniskirt, jacket, long sleeves, open clothes, shirt, hat, looking at phone screen, shadowy male figure behind, faceless male, translucent ghost, horror atmosphere, glossy skin, clean linework, expressiye eyes From a low camera angled sharply upward, the full figure fills the frame from the tips of her shoes at the bottom edge to her bent head at the top — no crop at either end, both feet planted on the wet asphalt and fully visible. A single girl with blonde short twintails leans her upper body forward over the lens, weight rocked onto the balls of her feet, knees angled inward. Her left arm is thrust out ahead of her, hand gripping a smartphone tilted toward her own face, eyes fixed on its glowing screen rather than the viewer; the phone's faint screen light washes up across her chin. Her right hand seizes the chest flap of her open jacket-and-shirt combo and drags it down, baring her chest to the underside of the frame. Her mouth is stretched wide open, tongue lolling out past her chin, cheeks raised into a gleeful, nita-nita grin that creases her eyes into smug crescents — an expression far too delighted for the place she stands. Behind her, woven into the darkness between two brick walls, a thin translucent male silhouette looms directly over her shoulders: a smoky, faint figure whose face is nothing but blank shadow where a head should be, one smudge of a hand hovering at her hair as if sinking into her body and possessing it. A sickly purple aura coils around the girl from her ankles upward, its tendrils brightest where they overlap the ghost, and it throws a weak violet rim light on the right side of her jacket, her skirt hem and the outer edge of her twintails, while the left side of the alley falls into near-black. The alley narrows toward a vanishing point behind them; distant drainage pipes and a single sagging cable read as silhouettes only, the ground dark asphalt holding a soft, dim reflection of her purple glow and her shoes — the reflection always darker and blurrier than the source. The single light logic: the purple aura is the scene's only illumination beyond the phone's glow; beyond its reach the alley is absolute dark. Her twintails swing forward over her shoulders from the hunch of her lean, the jacket sleeves slipping slightly with the downward pull of her gripping hand, and her weight presses the ball of one shoe so a thin puddle ring spreads at that sole. Clean linework over smooth, glossy skin; the palette locked to deep blacks, bruised purples in the aura, and her own outfit's warm accents — the purple light contaminating every surface it touches. Mood: uncanny, dangerously playful.
句点むら寿司

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