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View details![AI art "Experiment - Photo ➡️ Illustrated scene [part 2]"](https://images-ng.pixai.art/images/orig/e54f884d-610c-402f-9684-e70ed4fac833)
Experiment - Photo ➡️ Illustrated scene [part 2]
Ok, so the easy part is done...now the harder and more detailed part is coming up. This is also the part that gives you, the creator, the most control over the details. I've seen PixAI Edit Pro advertised a good deal here not too long ago, so I figured I'd give it a shot. Why not? Maybe someone can learn from this 8,000 credit image (yikes!). So, take this time to read my prompt...then look at the image. The image is a bit rough, isn't it? The goal I'm going for is that the people of Outlaw Country have have moved into buildings left behind by people fleeing from the super predator invasion. This image does that, but everything looks...unkempt, to say the least. Not a bad look for a post-apocalypse/civilization setting, but that isn't Outlaw Country. Now, I want you to look over my prompt and hear me out. I looked over the prompt several times and tried to find the term(s) that would cause such degradation of the buildings. It took me a while, but I think I found the culprit! "abandoned" It's the 14th word in and, if we're being honest, that's the most likely culprit. Not even the "very short time ago" had any effect on the output. I need to reword my prompt and get back to work. That was 8,000 credits lost, but not lost entirely. It's neat to see the details the model went with. It got the spelling right on all the signs, something Tsubaki 2 has problems with. Overall a good learning experience, but not what I'm going for. Back to work...
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zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
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