PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI artwork
Generate New ArtworkGenerate for FreeGenerate for Free

女僕

女僕
avatar-frame

女僕

More to See

Comments

character: samus_aran, A wide, eye-level digital illustration depicts Samus Aran in her classic green Zero Suit, standing in a large, empty hotel ballroom with white marble floors and high ceilings. She is centrally framed, holding a large industrial floor waxing machine with both hands. Samus has long blonde hair tied in a high ponytail, blue eyes, and fair skin with a visible mole under her left lip. Her skin-tight green bodysuit features a chest panel and thigh-high boots with silver buckles. Her expression is neutral and focused. The waxing machine is white with a large cylindrical brush at the bottom. A stream of white foamy cleaning agent sprays from the front nozzle, covering a dark shape on the floor in front of her. The background shows large windows letting in bright natural light, with dark smoky shapes and floating debris visible outside. The style is painterly and digital, characterized by a bright, cool-toned color palette with vibrant accents and glossy highlights on the floor and suit.
Show Parameters
Original Prompt
ホテルのサムス・アランメイドが床用ワックス掛け機を使用して大規模な清掃作業を行っています。清潔を好まない男性に対して、メイドは床用ワックス掛け機を起動させた後、ゆっくりと男性の前まで押し進め、ワックス掛け機の刷毛で男性の陰茎を清掃します。清掃过程中、陰茎の肉棒には床用ワックス掛け機から清掃剤の泡が噴射され、床を清掃する際に刷毛で洗われます。ワックス機は、清潔を好まない男性の陰茎を刺激し、他のホテル掃除の女性従業員がちょうど清掃用具庫から掃除機を取り出し、クリスタルソフトチューブを装着し、掃除機を再使用して汚れた陰茎の肉棒を吸引し、清潔を好まない男性が射精するまで続けます。
Mode
standard
Style
Semi-Real
Size
1536 x 1536
Style: Semi-Real

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.69k

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
1#Attack on Titan#Mikasa Ackerman
HomeModelsMio.2Profile