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AI art "Leona Kingscholar | Twisted Wonderland" featuring #Disney: Twisted-Wonderland and #Leona Kingscholar
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Leona Kingscholar | Twisted Wonderland

#Disney: Twisted-Wonderland#Leona Kingscholar
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GamerDemonDark

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Haruka v2 - AI Model cover image

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Leona Kingscholar | Savanaclaw | Twisted Wonderland - AI Model cover image

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Leona Kingscholar | Savanaclaw | Twisted Wonderland
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Ribbed knit, high-neck sweater, plaid pleated long skirt, - AI Model cover image

User LoRA

Ribbed knit, high-neck sweater, plaid pleated long skirt,
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m麗
character: air_groove_(umamusume) 1girl, solo, air_groove_character, horse girl, brown hair, short hair, hair between eyes, tousled hair, messy hair, blue eyes, horse ears, animal ears, ear bow, small bow at one ear, horse tail, bare shoulders, loose off-shoulder knit top, cream knit sweater, long skirt, brown long skirt, holding coffee cup with both hands, both hands wrapped around mug, steam, steam curling from cup, sitting at cafe table, cafe table, big window, window light, potted plants, warm wooden interior bokeh, bokeh, soft morning light, film-like tones, cozy, medium close-up, table height, looking at viewer, lazy affectionate smile, half-closed eyes, relaxed, sitting, leaning forward, head tilt, from above, window seat, The camera sits at table height, tilted slightly down from above across the round wooden tabletop, so the near edge of the table fills the bottom of the frame and the girl sits beyond it in a medium close-up cropped at the chest and upper arms. She is turned a little toward the big window at her right, not square to the lens: her weight rests on her right hip against the chair back, her left shoulder dropped lower, her torso leaning in over the table toward the cup. Her head tilts a few degrees toward that lowered shoulder, short tousled brown hair sticking up in loose sleep-tousled strands at the crown and one lock falling between her brows; her horse ears rise through it, one ear swiveled toward the window, a small bow pinned at the base of the other, and her horse tail hangs down behind the chair out of the crop, out of sight but there. The loose off-shoulder knit top has slid down both arms, its wide ribbed collar lying bare across her collarbones and upper arms, the cream wool baggy at the wrists and gathered in soft folds where her forearms come forward; the long skirt is a dark brown wool falling past the chair seat, one knee pressed up under the table edge. Both hands cup the coffee cup at its sides so that the fingers meet and overlap around the warm ceramic, thumbs hooked over the rim, the pads of her fingers flattening slightly against the glaze, the cup resting on the tabletop between her forearms. Steam curls up from the surface in a thin double spiral, drifting toward the window and bending where the cool morning air from the glass meets it; the upper part of the cup and the curl of steam are the softest, brightest thing in the frame. Her chin is tipped down, eyelids heavy and half closed, a slow lazy affectionate smile with both corners lifted and her lower lip just showing, her eyes landing directly on the viewer above the rim of the cup — the look of someone who has nowhere to be. Morning light comes in low and cool-white through the big window at frame right, striking the right side of her face, the bare slope of her right shoulder, the rim of the cup and the steam, leaving the left side of her face and the chair's shadow in soft warm reflected brown; the light on the window glass throws a pale rectangular sheen across the tabletop that stops just short of her hands. Behind her, the deep warm wooden interior recedes into bokeh — a line of pale circular out-of-focus highlights where the window panes catch the sun, blurred shelves and lamp glow dissolving into amber orbs, and a cluster of potted plants on the sill at her shoulder rendered as soft green circles of leaf unfurling into the background blur. The palette stays in warm brown, cream, muted green and pale gold morning light, with the coffee's dark surface and the blue of her eyes as the only cool notes; gentle film-like tones, low contrast, a faint grain in the shadows. Cozy, tender.
Mr.麗爺菜
#Uma Musume Pretty Derby#Air Groove

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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
8#Attack on Titan#Mikasa Ackerman
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