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神樂·偶像大師 灰姑娘女孩

我真的非常喜歡這幅描繪神樂的作品,她那迷人的眼神和優雅的姿態讓我深深著迷。每次看到她站在舞台上,我都覺得充滿能量和希望!如果你也喜歡,請不要忘記點個讚、追蹤我,我會帶來更多精彩的創作!期待和大家一起分享美好的瞬間~

#Ahoge#Dress#long hair#brown hair#Thigh Strap#Looking at viewer#full body#Stage lights
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multiple girls, cinematic lighting, cinematic angle, intricate details, color detail, depth of field, long exposure, light steps, intricate colors, alluring girl, masterpiece, score 9, score 8 up, score 7 up, best quality, base model Haruka v2, Yuna LAS, long hair, straight hair, messy hair, dark brown hair, blonde inner hair, two sides up with purple pill hairpins, straight side bangs, pink and purple cute hairpin, pale skin, round eyebrows, dark red eyes, eyebags, mole under left eye, pink bandaid
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Original Prompt
不要跟範例一模一樣,長得不一樣可以嗎,這只是風格參考建議,每張圖片可以有不一樣的表現或是不一樣的風格,沒有給建議的也可以使用,有點創意好嗎,來點變化,multiple girls,cinematic lighting,cinematic angle,intricate details,color detail,Depth of field,long exposure,light steps,intricate colors,Alluring girl,masterpiece,score 9,score 8 up,score 7 up,best quality,基礎模型 Haruka v2,Yuna LAS,long hair,straight hair,messy hair,dark brown hair,blonde inner hair,two sides up with purple pill hairpins,straight side bangs,pink and purple cute hairpin,pale skin,round eyebrows,dark red eyes,eyebags,mole under left eye,pink bandaid,
Size
768 x 1280
Sampling Steps
8
Sampling Method
Euler a
CFG Scale
1.600000023841858
Seed
-317632425
Negative
(nsfw, lowres, (bad), text, error, fewer, extra, missing, (worst quality), (low quality),jpeg artifacts, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract, bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:1.6)

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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