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ウィマーマ・サーガの「あんたが神になるしかないだろ」のポーズに近い何か
しぐれういさんの楽曲「ウィマーマ・サーガ」のMVより、 『誰も居ない ゆりかごで あんたが神に なるしかないだろ (Lonely Goddess……)』 のポーズ…と言うにはだいぶ変えてしまってますけど、ママ度は足りてます(？) 【備考】 参考画像機能を使用。
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- Euler a
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- 4
- Negative
- bad quality, worst quality, bad anatomy, bad hands, comic, jpeg artifacts, patreon logo, patreon username, web address, (signature:1.3), watermark, text, logo, artist name, censored, child, young, light particles, realistic, 3d, wet, sad, long fingers, (worst quality,bad quality,low quality:1.2), old, error, ugly, distorted, multiple views, monochrome, (fused fingers, ugly fingers:1.2), wrong feet, poorly drawn, cropped, unfinished, oldest, artistic error, kid,(((multiple screens,split screen))),
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
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