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美人お稲荷姉妹のいる神社にて⛩🦊
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- Original Prompt
- วิ่งเถิด ผู้คนและเวลา ทะยานสู่ดินแดนแห่งตำนาน เหนือคลื่นที่ซัดเข้ามา ดวงดาวดวงใหม่ปรากฏขึ้น รถไฟแห่งความฝันแล่นไป ราวกับสัมผัสกับการตื่นขึ้นของเมือง รถไฟแห่งความฝันแล่นไป นำพาความปรารถนาของแต่ละคน เริ่มต้นจากทะเล เริ่มต้นที่ภูเขา สู่การเดินทางอันไม่มีที่สิ้นสุด ทางรถไฟแห่งความโรแมนติก พบปะผู้คนและอนาคต มาแลกเปลี่ยนถ้อยคำแห่งความหวัง จากฮิมิโกะสู่ชีวิตในวันพรุ่งนี้ เส้นทางเดียวที่ทอดยาว รถไฟแห่งความฝันแล่นไป ข้ามที่ราบแห่งความรักและความลึกลับ รถไฟแห่งความฝันแล่นไป นำพาความสุขของทุกสถานี เริ่มต้นจากทะเล เริ่มต้นที่ภูเขา สู่การเดินทางอันไม่มีที่สิ้นสุด รถไฟแห่งความฝันแล่นไป ข้ามที่ราบแห่งความรักและความลึกลับ รถไฟแห่งความฝันแล่นไป นำพาความสุขของทุกสถานี เริ่มต้นจากทะเล เริ่มต้นที่ภูเขา สู่การเดินทางอันไม่มีที่สิ้นสุด ((1girl,:2.0)), ((cowboy shot,:2.0)), shrine, ((20 stone steps,:2.0)), Torii gates,((30 vermilion torii gates,:2.0)), blue sky, outdoors, masterpiece, ultra detailed, junihitoe, twelve-layered ceremonial kimono, multilayer structure, sleeve spread, long kimono, plush fabric, open mouth, open mouth, Kobayakawa Reiko, Japanese woman, japanese mature, very long hair, ((Fox ears that are white on the inside and brown on the outside,:1.5)),((The base is dark brown and the tip is white, with five tails.,:3.0)), holding broom, straight hair, red brown hair, miko, shrine maiden, red hakama, straight hair, anime screencap, style:ChocoChip, hair focus, outdoors,
- Size
- 614 x 1024
- Sampling Steps
- 9
- Sampling Method
- Euler
- CFG Scale
- 2.9
- Negative
- Closing eyes, closing eyes,worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored,conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, cherry blosooms, plum blossoms, futanari, futanari, closing eyes, closing eyes, pony tails,
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Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
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