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AI art "not perfect but not bad either"
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not perfect but not bad either

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Adam Sauian

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private โ€” only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
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Avatar image of ๐‡๐š๐ฅ๐ฅ๐จ๐ฐ ๐†๐š๐ซ๐จ๐ฎ
copyright: genshin_impact masterpiece, best quality, ultra detailed, anime style, soft lighting, glowing effects, pastel colors, smooth shading, clean lineart, polished render, light bloom, rim lighting, volumetric lighting, depth of field, lumine_(night hunt in snow)_(genshin_impact), blonde hair, yellow eyes, flower ornament, feather ornament, keyhole cutout, dark navy dress, dark blue and cyan ribbon tie, asymmetrical capelet, gradient stole, black fur trim gloves, silver trim, In the style of Genshin Impact's official promotional anime, a cinematic key visual with polished anime rendering, clean key-animation lineart, dramatic color grading, atmospheric bloom and volumetric light. A close-up bust shot from the chest up, camera at eye level, her head and shoulders filling the frame. Lumine, wearing her Night Hunt in Snow outfit: high collar, light blue gradient stole, long sleeves with black gloves and fur cuffs, silver ornament, flower and feather ornaments in her hair. Her head is tilted slightly downward and to one side, and a single hard light source from above casts a deep distinct shadow across the upper half of her face, her yellow eyes glinting warily from within the shadow line, her gaze fixed on something beyond the camera. Her expression is stern and serious: brows lightly drawn, mouth set in a firm unsmiling line, every muscle alert. Behind her a Snezhnayan blizzard rages: wind-driven snow streaming horizontally, heavy flakes drifting through the frame, and through the whiteout the faint silhouettes of Snezhnayan onion-domed towers and spires. Cold blue-grey atmosphere, her breath faintly visible in the freezing air, frost catching on her fur cuffs and stole. Cinematic lighting: the hard key light from above carves the shadow across her face, a cold blue rim light from the blizzard separates her hair and capelet from the whiteout, soft reflected light from the snow fills the shadow side faintly, layered atmospheric light, detailed shadows, light bloom on the snowflakes. Official Genshin Impact character design, tense narrative close-up, highly polished.
๐‡๐š๐ฅ๐ฅ๐จ๐ฐ ๐†๐š๐ซ๐จ๐ฎ
#Genshin Impact#Lumine

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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