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saigyouji yuyuko
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- Size
- 1400 x 784
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, bad, text, error, fewer, extra, missing, worst quality, jpeg artifacts, low quality, watermark, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract,bad eyes,bad finger, missing finger, extra arms, extra legs, bad anatomy, missing limb, disconnected limbs, inaccurate limb,bad face,malformed hands,nostrils,
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saigyouji yuyuko
JAEGEUN KIM
スヤスヤ
takanashi
涼森めるて
character: michinoku_komaro
1girl, solo, pink hair, long hair, hair between eyes, crossed bangs, hair intakes, blue eyes, japanese-style maid outfit, wa-maid, kimono-style maid dress, wide sleeves, obi sash, apron, frilled maid headdress, large breasts, cleavage, on futon, futon, lying on side, propped on elbow, head tilt, looking at viewer, half-closed eyes, light smile, blush, bare feet, from above, foreshortening, close-up, warm lamplight, night, intimate,
Seen from above, in a steep close-up that takes in the futon, the woman and a narrow margin of tatami, she lies on her side on a folded futon: pink hair, long and loose, spilling across the white sheet with strands between her eyes and a pair of cut bangs crossing her forehead; blue eyes lift to the lens, lids half lowered, one brow slightly raised, lips shut in a faint lopsided smile, a warm blush across the cheeks. Her left elbow is planted in the mattress padding, her cheek resting against her knuckles so the sleeve of her kimono-style maid dress bunches at the wrist; her right hand lies flat on the quilt before her chest, fingers curled into the cloth. The dress is a Japanese maid's: a deep indigo kimono bodice with wide hanging sleeves and a broad patterned obi tied at her waist, a white frilled apron laid over it, a small frilled headdress set back in her hair; the collar falls open in a shallow V, and the cut of the bodice and obi cinching under the bust make her large breasts press full and heavy against the fabric, the apron bib riding high and skewed to one side. Bare feet curl out from under the hem at the bottom of the frame, one sole angled up at the camera. Around her the futon is lived-in: the quilt rumpled and pulled back, the pillow dented under her shoulder, the sheet creased in long diagonal folds that run toward the lower corner. The room beyond the mattress is dark and shallow — a glimpse of tatami mat edging, a paper-screen panel off to the left, nothing more. A single warm lamp sits low and out of frame to the right; it rakes across her cheek, the shoulder of the dress and the crest of the quilt, leaving her far side and the room behind her in deep shadow, and her cast shadow pools close under the obi. Palette kept to indigo, off-white linen and the pink of her hair and flushed cheeks, with the lamplight's amber as the only warmth. Quiet, close and lazy.
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