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- , 公式アニメ アニメ塗り 1人の少女、中くらいの胸、頬を赤らめる、恥ずかしがる、視聴者を見る、唇を少し開ける、恥ずかしそうな表情、心配そうな表情、立っている、前かがみになる、胸の近くに手を置く、自分の太ももに手を置く、服を引っ張る、膝を揃える、カウボーイショット、正面から、制服、半袖、開いた服、ブラジャー、白いブラジャー、お腹、へそ、黒いニーハイソックス、屋内、寝室、カーテン、女の子の部屋、柔らかな照明、きらめき、明るい背景、被写界深度、傑作、ボリューム照明、光沢のある肌、インパクト、繊細、細いウエスト、細いお腹、最高品質、驚くべき品質、超詳細、高解像度、美しい構図、最大限の顔のディテール、最大限の詳細なテクスチャ、最大限の詳細な影、最大限の詳細な背景、非常に詳細、8K、映画のようなポストプロセス、非常に繊細で美しい、完璧な顔、完璧な解剖学、照らされた顔、柔らかな照明、よく照らされた顔、正面からの照明、均一に照らされた顔、明るい顔、完璧な露出、顔に当たるきれいな光、はっきりとした顔の特徴、完璧な解剖学的構造、映画のような照明、美しい、かわいい、最高の画像、アニメ、ドラマチックな照明、深い影、完璧なディテール、完璧な顔のディテール、完璧な目のディテール、完璧な肌のディテール、傑作、理想的な体型、肌の凹凸、アニメ、少女、ソロ、シャープな線、鮮やかな色、高コントラスト、シャープなフォーカス、完璧な手、完璧な顔、完璧な目、完璧な光、ダイナミックな光、自然光,The_IdolMaster_CinderellaGirls, igarashi kyoko, brown hair,(one side ponytail),blunt bangs, brown eyes, small breasts アニメ塗り 公式アニメ
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- 768 x 1280
- Sampling Steps
- 10
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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