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Scorbunny Loquendero
AI art by Scorbunny Loquendero on PixAI. Made with YiffyMix (NoobAI).
Show Parameters
- Original Prompt
- masterpiece,best quality,amazing quality, 1boy, solo, t1m0n, meerkat, fur, barefoot, tan feet, brown toes, 3 toes, soles, foot focus, close-up, faceless character, head out of frame
- Size
- 1024 x 768
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 4.5
- Negative
- modern, recent, old, oldest, cartoon, graphic, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), bad anatomy, sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated
Model & LoRA used
Similar Images
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si
from behind, rear view, close-up, solo, one small young furry femboy leopard, spotted fur, soft rounded buttocks filling the frame, sitting on own feet, kneeling seiza, weight settled back onto heels, footpaws only, paw pads, toes, leopard rosettes on fur, no torso, no arms, no head, no tail visible, no clothing on lower body, bare furred hips, extreme crop, cinematic, 4K, photorealistic rendering, shallow depth of field, low camera at hip height, warm soft key light
The camera sits low and close behind him, dead at hip height, so the frame is filled by a single soft arc of furred hips: a small young leopard femboy seen squarely from behind, cropped tight so that only his rounded buttocks and his footpaws exist in the picture — the crop line severs everything above the small of his back and the edges of the frame cut the hips at both sides, leaving him pressed into the rectangle with no head, no arms, no torso and no tail in view anywhere. He is not standing over his heels but sitting fully down onto them, seiza-style, buttocks settled back and flattened slightly against the upturned soles, the weight clearly carried by his own feet rather than by the floor, and this compression is the physics of the shot: the soft fur bulges a little where it meets the heels, and the short spotted fur along the top of each cheek lies smoothly brushed one way while the fur pressed into the heel line rucks up against the grain. Beneath and behind the hips, the two footpaws are the only other thing in the image — broad, digitigrade, soles turned up flat against his seat, each showing dark pads and four rounded toes splayed slightly apart, tufts of pale fur spilling between the toes and a faint crease of ankle fur at the outer edge. Leopard rosetting covers the hips and the tops of the feet in broken dark rings on warm tawny ground, denser over the curve of each cheek and thinning toward the pale inner thigh fur and the light underside of the paws. The lighting is a single soft warm key from the upper left, low and diffused as if through a window, rolling across the top of the hips and falling away into a gentle shadow along the right side and beneath, so the form reads as one continuous soft volume; a very slight rim of cooler ambient light picks out the outer edge of the right paw. The floor beneath is a plain, neutral, out-of-focus surface with no clutter, and the background behind the crop is a smooth blurred dark warm field that keeps the eye on the fur. Everything in the palette stays in tawny gold, cream, and dark chocolate rosettes, with a whisper of cool grey in the shadow. Quiet, tender, softly lit.
Shahnozaxon Ilhomova
si
from behind, rear view, close-up, solo, one small young furry femboy leopard, spotted fur, soft rounded buttocks filling the frame, sitting on own feet, kneeling seiza, weight settled back onto heels, footpaws only, paw pads, toes, leopard rosettes on fur, no torso, no arms, no head, no tail visible, no clothing on lower body, bare furred hips, extreme crop, cinematic, 4K, photorealistic rendering, shallow depth of field, low camera at hip height, warm soft key light
The camera sits low and close behind him, dead at hip height, so the frame is filled by a single soft arc of furred hips: a small young leopard femboy seen squarely from behind, cropped tight so that only his rounded buttocks and his footpaws exist in the picture — the crop line severs everything above the small of his back and the edges of the frame cut the hips at both sides, leaving him pressed into the rectangle with no head, no arms, no torso and no tail in view anywhere. He is not standing over his heels but sitting fully down onto them, seiza-style, buttocks settled back and flattened slightly against the upturned soles, the weight clearly carried by his own feet rather than by the floor, and this compression is the physics of the shot: the soft fur bulges a little where it meets the heels, and the short spotted fur along the top of each cheek lies smoothly brushed one way while the fur pressed into the heel line rucks up against the grain. Beneath and behind the hips, the two footpaws are the only other thing in the image — broad, digitigrade, soles turned up flat against his seat, each showing dark pads and four rounded toes splayed slightly apart, tufts of pale fur spilling between the toes and a faint crease of ankle fur at the outer edge. Leopard rosetting covers the hips and the tops of the feet in broken dark rings on warm tawny ground, denser over the curve of each cheek and thinning toward the pale inner thigh fur and the light underside of the paws. The lighting is a single soft warm key from the upper left, low and diffused as if through a window, rolling across the top of the hips and falling away into a gentle shadow along the right side and beneath, so the form reads as one continuous soft volume; a very slight rim of cooler ambient light picks out the outer edge of the right paw. The floor beneath is a plain, neutral, out-of-focus surface with no clutter, and the background behind the crop is a smooth blurred dark warm field that keeps the eye on the fur. Everything in the palette stays in tawny gold, cream, and dark chocolate rosettes, with a whisper of cool grey in the shadow. Quiet, tender, softly lit.
Shahnozaxon Ilhomova
si
from behind, rear view, close-up, solo, one small young furry femboy leopard, spotted fur, soft rounded buttocks filling the frame, sitting on own feet, kneeling seiza, weight settled back onto heels, footpaws only, paw pads, toes, leopard rosettes on fur, no torso, no arms, no head, no tail visible, no clothing on lower body, bare furred hips, extreme crop, cinematic, 4K, photorealistic rendering, shallow depth of field, low camera at hip height, warm soft key light
The camera sits low and close behind him, dead at hip height, so the frame is filled by a single soft arc of furred hips: a small young leopard femboy seen squarely from behind, cropped tight so that only his rounded buttocks and his footpaws exist in the picture — the crop line severs everything above the small of his back and the edges of the frame cut the hips at both sides, leaving him pressed into the rectangle with no head, no arms, no torso and no tail in view anywhere. He is not standing over his heels but sitting fully down onto them, seiza-style, buttocks settled back and flattened slightly against the upturned soles, the weight clearly carried by his own feet rather than by the floor, and this compression is the physics of the shot: the soft fur bulges a little where it meets the heels, and the short spotted fur along the top of each cheek lies smoothly brushed one way while the fur pressed into the heel line rucks up against the grain. Beneath and behind the hips, the two footpaws are the only other thing in the image — broad, digitigrade, soles turned up flat against his seat, each showing dark pads and four rounded toes splayed slightly apart, tufts of pale fur spilling between the toes and a faint crease of ankle fur at the outer edge. Leopard rosetting covers the hips and the tops of the feet in broken dark rings on warm tawny ground, denser over the curve of each cheek and thinning toward the pale inner thigh fur and the light underside of the paws. The lighting is a single soft warm key from the upper left, low and diffused as if through a window, rolling across the top of the hips and falling away into a gentle shadow along the right side and beneath, so the form reads as one continuous soft volume; a very slight rim of cooler ambient light picks out the outer edge of the right paw. The floor beneath is a plain, neutral, out-of-focus surface with no clutter, and the background behind the crop is a smooth blurred dark warm field that keeps the eye on the fur. Everything in the palette stays in tawny gold, cream, and dark chocolate rosettes, with a whisper of cool grey in the shadow. Quiet, tender, softly lit.
Shahnozaxon Ilhomova
John Kong
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