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- Original Prompt
- Hatchimitsu's style, detailed illustration, detailed character, detailed background, chiraha (echocalypse), Chiraha, Kitsune, crimson eyes, white fox ears, mole under right eye, silver-white long hair, crossed bangs, streaked hair, one red strand hair at the center of her forehead and other frame her right face, 1woman, 8k, masterpiece, best quality, high quality, highest 8k resolution, ultra-detailed, ((gorgously detailed eyes)), ((detailed character)), perfect illustration, ((adult woman)), slim waist, ((detailed eyes)), sexy body, detailed background, outdoors, solo character, cherry blossom forest, from below, standing straight, Her official costume, Traditional-modern japanase outfit, official costume, red kimono top with white patterns, triangular keyhole cutout at the chest, detached choker-style collar with a fur collar covering back of her neck, detached white kimono sleeve on left arm with a dark red half glove on left hand, black bridal gauntlet on right arm with futuristic white vembrace on it the bridal gauntlet, a wide black with gold band sash around her waist with a fox mask hanging on it, waist high short pleated skirt, zettai ryouiki black thighhighs with gap at inner thighs, red cape beind her
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- Low quality, lowly detailed, worst quality, skin spots, texts, artist name, ugly illustration, bad anatomy, fused fingers, extra arms and legs, deformed body, pink lips, blushing, ((split fingers)), ((fused fingers)), (((badly detailed))), round face, ((petite)), ((badly detailed eyes)), (too many fingers), (lowly detailed fingers), extra ears, fox tails
Face Fix
HiRes
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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