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View details望月真冬(にじげんカノジョ)
望月真冬のLoRAを作ったので生成 衣装のプロンプトを入れなかったら何故か制服姿に
Show Parameters
- Original Prompt
- mochizuki mafuyu, 1girl, blonde hair, long hair, purple eyes, big breasts,
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
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Youko San
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character: shokuhou_misaki, copyright: toaru_majutsu_no_index
solo, 1girl, large breasts, thick tights, blonde hair, long hair, very long hair, hair between eyes, bangs, yellow eyes, star-shaped pupils, symbol-shaped pupils, bright pupils, +_+, star-shaped bright pupils, tokiwadai school uniform, brown sweater vest, white shirt, collared shirt, short sleeves, white gloves, elbow gloves, white thighhighs, grey pleated skirt, brown loafers, star (symbol), cowboy shot, from below, dutch angle, looking at viewer, leaning forward, head tilt, pointing at viewer, open mouth, :d, one eye closed, wink, raised eyebrow, light smile, hair swept to one side, arm at side, hand on own hip,
Shot from below at a slight dutch tilt, the frame tipped a few degrees clockwise so the vertical lines of the corridor lean: one blonde girl in a Tokiwadai summer uniform fills the frame from mid-thigh up, and the low camera pushes her chest and shoulders large in the foreground while the corridor floor recedes behind her. Her very long blonde hair sweeps to her left side in a windless drift, the bangs falling straight over her brow with a longer central lock hanging between her eyes; her head is tilted a few degrees toward her right shoulder, and she leans far forward toward the lens, weight sunk onto her right hip with her right leg carrying her and her left knee slightly bent. Her right hand rests flat on her own hip, fingers splayed over the brown sweater vest at the waist; her left arm is bent, elbow tucked in, and her left index finger points straight forward at the viewer, the white elbow-length glove stopping at her elbow above bare forearm skin above it. Both eyes look directly down the barrel of the lens: one eye wide and one squeezed shut in a wink, one brow arched higher than the other, mouth open in a lopsided grin with a sliver of teeth, lashes thick and lashes catching a little light. Her yellow irises are lit from within by a bright four-pointed star sparkle centered where each pupil would be, the points of the star throwing tiny glints onto the wet curve of each iris, and her pupils stay bright and clear rather than dark.
The Tokiwadai uniform is rendered plainly: a brown V-neck sweater vest with a thin star emblem stitched small at the left chest, worn over a white short-sleeved collared shirt whose stiff collar and open button placket sit visibly above the vest's neckline, short sleeves ending mid-upper-arm so the bare arm runs from sleeve hem to elbow glove. The grey pleated skirt sits below the vest hem, and her legs are fully encased in thick opaque tights, the weave ridged and matte and slightly darker where the fabric strains over her calves, with no skin visible through them, and the brown loafers sit flat on the floorboards. The white elbow gloves read as soft kid leather with a faint seam running along the finger and a thin wrinkle at the inside of her elbow.
The set is a plain Tokiwadai corridor: a pale wooden floor whose boards run in hard perspective lines toward a vanishing point behind her left shoulder, cream wainscot panels on the left wall, a tall window beyond her right shoulder letting cool daylight in sideways so it strikes her right cheek, the outer edge of her right arm, and the globe of her left shoulder, leaving the underside of her chin and the far side of her hair in a soft shadow; a short shadow she casts pools on the floorboards at her feet, and the polished floor holds a dim, softened, darker reflection of her skirt hem and the tights' sheen. The palette stays narrow: warm blonde and brown, cream and grey wall, and a single cool white-grey daylight, nothing saturated beyond her eyes. Fine cel linework, flat cel shading with soft two-step shadows, high detail on the face, hands and eye sparkles, simplified background panels. Bright, cheeky, effortlessly confident.
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