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大山さんとファーストバイト
すごく優しいファーストバイト😘💕 最近、大山さんLoRAをすごい勢いで使ってくれる人がいます😉ありがとう！ お礼のいいねしようと思っても、LoRA画面から新作で引っかからないですよね🤔 これってもしかして叡智な方で…！😍
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- Original Prompt
- anime illustration, high quality, masterpiece, ultra detailed, clean lineart, sharp lines, high contrast, vibrant colors, precise shading, detailed lighting, strong highlights and shadows, clear separation of elements, well-defined forms, consistent style,symmetrical face,shiny hair,smooth, flawless skin,long, fine, voluminous eyelashes, Rainbow gloss, 正面アングル ダイナミックな動き シネマティックな演出 傑作 4K, 8K, 光の彩度を強調 glossy hair,ultra detailed, intricate details, micro details, highly detailed texture, detailed hair strands, glass-like reflection, transparent highlights, detailed fabric folds, luxury fabric, delicate rendering, cinematic lighting, volumetric lighting, high-end ani,cinematic lighting , cinematic angle, soft light , color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors, ,large breasts, tall girl, black semi-short wavy hair with purple inner highlights, big eyes, gentle face, amethyst eyes, 赤色ウェディンググローブ 赤色の肩出しカラーウェディングドレス 黒色のフリル ウェディングドレスのレース、刺繍のデティールを強調 ダイヤモンドのピアス ルビーのネックレス 金細工の薔薇の髪飾り 後ろ髪を束ねてアップする 画角正面から女性を捉える 赤色ホテル床 披露宴会場 にっこり笑い 頬を淡い桜色に染める (((片手でフォークを握り、画角にケーキを差し出す))) 片手で欠けたショートケーキの乗った皿を支える フォーク先についたショートケーキ (((ファーストバイト))) ((結婚式)) 幸せそうな女性 高級な茶色の革椅子に座る女性 複数のハートのバルーン ダッチアングル セミフルショット (((左手薬指に結婚指輪)))
- Mode
- standard
- Size
- 1536 x 1536
Model & LoRA used
1 private models used
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1girl, masterpiece, asaka karin\(mahou shoujo site\), smile, sitting on armchair, holding cake, cake on hands, elegant dress, pink lace trim dress, satin dress, birthday cake, balloons, confetti, party, cinematic composition, looking at viewer, elegant pose, high quality
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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