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Show Parameters
- Original Prompt
- 1girl, ninja attire, midriff cutout, from side, cat stretch, all fours, arched back, stretching, top-down bottom-up, tiptoes, mask, faceless female, feet together, looking away, face in profile, trembling, Full body image. Forest as background. ,Kuroneko
- Size
- 1024 x 1024
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
Similar Images
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year_2025
1girl, solo, medium shot, ((three-quarter view)), from front, straight-on, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), long hair, black hair, streaked hair, silver hair, shiny hair, high ponytail, braided base, long side braids, parted bangs, double-parted bangs, grey eyes, glowing eyes, catchlights, curvy, huge breasts, black leotard, detailed armor, golden and black armor, fingerless gloves, combat stance, holding sword, dual wielding, glowing sword, rain, forest, moonlight, looking at viewer, night, wet hair, water droplets, glowing weapon, dark background, rim light
A medium shot from the front, camera squared straight-on to the girl's body while her head and torso are turned a decisive three-quarter toward the viewer's left, so her right shoulder and the near sword sit closer to the lens than her left side. She stands in a wide, dropped combative stance: weight sunk into her rear leg, front knee bent outward, hips angled with the turn of the three-quarter view, back heel lifted so only the toe and ball of that foot press into the wet forest floor, the black material of her leotard drawn taut across the curve of her hips and the fullness of her chest as she twists. Her hair rises into a high ponytail whose base is wrapped in a tight braid encircling the gather, and from behind her ears two long side braids hang forward over the gold plates of her armor, silver streaks gleaming along the black strands; the ponytail swings out to her left, weighted by the rain.
Both gloved hands are occupied: the right drives a glowing blade forward at chest height, the wrist rolled so the long edge reads along the top of the arc, the arm locked almost straight; the left hand holds the second glowing sword back and low beside her hip, blade angled down and slightly across her body, forearm braced. Her fingerless gloves leave the topmost knuckles and fingertips bare, knuckles pale where the light catches them. Thumbs wrap the grips, index fingers hooked beneath the guards. Her grey eyes are wide open and burning with an inner glow, bright catchlights seated in both pupils, and her gaze comes straight down the lens to the viewer; lids faintly narrowed at the outer corners, lips parted a hair's breadth, jaw set. Both blades are the only strong light in the picture: their cool light spills the silver in her hair and the gold of her armor into sharp-edged highlights while the recessed channels of the black plates stay dark, and it throws a cold rim along her cheek, throat, collarbone and the leading edge of her breastplate. Her body shadows the forest behind her and the wet armor throws back sparkles of that glow.
Behind her and past her shoulders the forest recedes into near-blackness: tall trunks in silhouette, a lattice of leaves, and a shaft of moonlight that cuts down through the canopy to silver the mist and the falling rain into thousands of streaking threads. It falls across her upturned face, the braid-wrapped base of her ponytail, the broad gold curve of her shoulder plate, which catches a wet specular sheen; rain beads stand on the metal, and the drops on the flat shoulder plane stay, the drops on the sloped ones run. Her hair is soaked at the tips and glistens. Black, gold and silver predominate, punctuated by the brilliant cyan-white of the two swords and the cold blue-silver of rain and moon. Everything rendered in crisp cel shading with clean, sharp lines and high-contrast lighting; vibrant, saturated light against deep shadow; a sharp, focused image. Cold, electric tension, determined.
Jorge Matias Araujo
year_2025
1girl, solo, medium shot, ((three-quarter view)), from front, straight-on, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), long hair, black hair, streaked hair, silver hair, shiny hair, high ponytail, braided base, long side braids, parted bangs, double-parted bangs, grey eyes, glowing eyes, catchlights, curvy, huge breasts, black leotard, detailed armor, golden and black armor, fingerless gloves, combat stance, holding sword, dual wielding, glowing sword, rain, forest, moonlight, looking at viewer, night, wet hair, water droplets, glowing weapon, dark background, rim light
A medium shot from the front, camera squared straight-on to the girl's body while her head and torso are turned a decisive three-quarter toward the viewer's left, so her right shoulder and the near sword sit closer to the lens than her left side. She stands in a wide, dropped combative stance: weight sunk into her rear leg, front knee bent outward, hips angled with the turn of the three-quarter view, back heel lifted so only the toe and ball of that foot press into the wet forest floor, the black material of her leotard drawn taut across the curve of her hips and the fullness of her chest as she twists. Her hair rises into a high ponytail whose base is wrapped in a tight braid encircling the gather, and from behind her ears two long side braids hang forward over the gold plates of her armor, silver streaks gleaming along the black strands; the ponytail swings out to her left, weighted by the rain.
Both gloved hands are occupied: the right drives a glowing blade forward at chest height, the wrist rolled so the long edge reads along the top of the arc, the arm locked almost straight; the left hand holds the second glowing sword back and low beside her hip, blade angled down and slightly across her body, forearm braced. Her fingerless gloves leave the topmost knuckles and fingertips bare, knuckles pale where the light catches them. Thumbs wrap the grips, index fingers hooked beneath the guards. Her grey eyes are wide open and burning with an inner glow, bright catchlights seated in both pupils, and her gaze comes straight down the lens to the viewer; lids faintly narrowed at the outer corners, lips parted a hair's breadth, jaw set. Both blades are the only strong light in the picture: their cool light spills the silver in her hair and the gold of her armor into sharp-edged highlights while the recessed channels of the black plates stay dark, and it throws a cold rim along her cheek, throat, collarbone and the leading edge of her breastplate. Her body shadows the forest behind her and the wet armor throws back sparkles of that glow.
Behind her and past her shoulders the forest recedes into near-blackness: tall trunks in silhouette, a lattice of leaves, and a shaft of moonlight that cuts down through the canopy to silver the mist and the falling rain into thousands of streaking threads. It falls across her upturned face, the braid-wrapped base of her ponytail, the broad gold curve of her shoulder plate, which catches a wet specular sheen; rain beads stand on the metal, and the drops on the flat shoulder plane stay, the drops on the sloped ones run. Her hair is soaked at the tips and glistens. Black, gold and silver predominate, punctuated by the brilliant cyan-white of the two swords and the cold blue-silver of rain and moon. Everything rendered in crisp cel shading with clean, sharp lines and high-contrast lighting; vibrant, saturated light against deep shadow; a sharp, focused image. Cold, electric tension, determined.
Jorge Matias Araujo
迷霧中的黑貓女忍
黑人叔叔
year_2025
1girl, solo, medium shot, ((three-quarter view)), from front, straight-on, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), long hair, black hair, streaked hair, silver hair, shiny hair, high ponytail, braided base, long side braids, parted bangs, double-parted bangs, grey eyes, glowing eyes, catchlights, curvy, huge breasts, black leotard, detailed armor, golden and black armor, fingerless gloves, combat stance, holding sword, dual wielding, glowing sword, rain, forest, moonlight, looking at viewer, night, wet hair, water droplets, glowing weapon, dark background, rim light
A medium shot from the front, camera squared straight-on to the girl's body while her head and torso are turned a decisive three-quarter toward the viewer's left, so her right shoulder and the near sword sit closer to the lens than her left side. She stands in a wide, dropped combative stance: weight sunk into her rear leg, front knee bent outward, hips angled with the turn of the three-quarter view, back heel lifted so only the toe and ball of that foot press into the wet forest floor, the black material of her leotard drawn taut across the curve of her hips and the fullness of her chest as she twists. Her hair rises into a high ponytail whose base is wrapped in a tight braid encircling the gather, and from behind her ears two long side braids hang forward over the gold plates of her armor, silver streaks gleaming along the black strands; the ponytail swings out to her left, weighted by the rain.
Both gloved hands are occupied: the right drives a glowing blade forward at chest height, the wrist rolled so the long edge reads along the top of the arc, the arm locked almost straight; the left hand holds the second glowing sword back and low beside her hip, blade angled down and slightly across her body, forearm braced. Her fingerless gloves leave the topmost knuckles and fingertips bare, knuckles pale where the light catches them. Thumbs wrap the grips, index fingers hooked beneath the guards. Her grey eyes are wide open and burning with an inner glow, bright catchlights seated in both pupils, and her gaze comes straight down the lens to the viewer; lids faintly narrowed at the outer corners, lips parted a hair's breadth, jaw set. Both blades are the only strong light in the picture: their cool light spills the silver in her hair and the gold of her armor into sharp-edged highlights while the recessed channels of the black plates stay dark, and it throws a cold rim along her cheek, throat, collarbone and the leading edge of her breastplate. Her body shadows the forest behind her and the wet armor throws back sparkles of that glow.
Behind her and past her shoulders the forest recedes into near-blackness: tall trunks in silhouette, a lattice of leaves, and a shaft of moonlight that cuts down through the canopy to silver the mist and the falling rain into thousands of streaking threads. It falls across her upturned face, the braid-wrapped base of her ponytail, the broad gold curve of her shoulder plate, which catches a wet specular sheen; rain beads stand on the metal, and the drops on the flat shoulder plane stay, the drops on the sloped ones run. Her hair is soaked at the tips and glistens. Black, gold and silver predominate, punctuated by the brilliant cyan-white of the two swords and the cold blue-silver of rain and moon. Everything rendered in crisp cel shading with clean, sharp lines and high-contrast lighting; vibrant, saturated light against deep shadow; a sharp, focused image. Cold, electric tension, determined.
Jorge Matias Araujo
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