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- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
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zhengshizi style, bara anime style, clear and clean lines, body all sweaty and hairy, 1boy, hot male, mature male focus, perfect face, short hair and beard, mischievous smile., fuga9 style, bara anime style, clear and clean lines, body all sweaty and hairy, 1boy, hot male, mature male focus, perfect face, short hair and beard, mischievous smile., n3m3, old, beard, grey hair, scar, muscular, multiple braids, long hair, ponytail, mustache, abs, facial tattoo, bara, large pectorals, horned pauldrons, armor, fur trim, cape,
teqk1ø
Heracles (Hades II)
Nathaniel Shadow
jnae
mp
copyright: elden_ring
1boy, solo, giant, size_difference, very tall, muscular male, shirtless, bare pectorals, muscular chest, muscular arms, abs, dark skin, scarred skin, battle scars all over torso and arms, long white hair, braided ponytail, braided hair, gold crown, band-shaped crown, headband-crown, yellow eyes, glowing yellow eyes, bestial eyes, animalistic eyes, semi-short beard, thick beard, full beard, dark facial hair beard, light armor pants, fur-trimmed pants, fur at the waist, furs, bare feet, sitting, seated on throne, stone throne, holding axe, giant axe, stone axe, stone-textured axe blade, one-handed grip, axe head resting point-down against the floor, from below, low angle, wide shot, three-quarter view, dutch angle, leaning forward, head tilted down, looking at viewer, teeth bared, arrogant sneer, clenched jaw, one eyebrow raised, warm golden rim light, cold teal ambient, cool desaturated palette, painterly anime style.
The camera sits low, near the floor and slightly off to his left, tilted a few degrees so the throne rises diagonally across the frame: from this angle the man towers even though he is seated, his knees filling the lower foreground and his crown cutting into the cold light near the top edge. He is a giant of a man, well over three meters of him, and the stone throne looks one size too small for his shoulders. His weight is settled into the seat but carried forward -- hips deep in the throne, elbows wide, spine pitched ahead of the backrest so his bare torso looms over his knees. His right hand closes around the axe haft at hip height, knuckles pale with grip, and the haft runs down past his calf to where the massive stone head -- a rough-hewn block of grey rock lashed with worn bindings, its chipped edge dipped toward the floor -- bites a sharp wedge of shadow out of the flagstones. His left arm rests heavy along the throne's armrest, fingers hanging loose over the carved stone edge.
His torso is fully bare: heavy pectorals, ridged abdomen, thick deltoids and forearms, every plane mapped with raised scars, old rents and puckered welts crossing his chest, ribs and shoulders. His skin is deep and weathered-dark from years under battle sun, the tone of old leather, and the scars read as pale and pink against it where they catch the light. A braided ponytail of long white hair is pulled back tight from his temples and drops over his right shoulder, its plait lying across his clavicle and against his chest, the tail-end resting on muscle. The golden band-crown sits low across his brow, a simple strip of warm gold with no points, half-buried in his hairline. His beard is short and thick, clipped close along the jaw, dense at the chin and upper lip, the same white as his hair but shadowed darker at the roots. His eyes are bright, feral yellow, small-pupiled and vivid against the dark of his face, and they are fixed straight on the viewer under a lowered brow. The line of his mouth is pulled into a sneer, upper lip lifted slightly to show his teeth, and his jaw is tight.
His trousers are light armor, plated leather and dark metal lames over the thigh, wrapped at the waist and hips with thick bands of fur -- coarse grey-brown pelts spilling over the belt and trailing down over his left knee. His feet are bare and planted on the cold stone floor, toes spread and gripping, a boot-width apart. The throne behind him is carved from grey-blue stone with heavy fluted armrests and a high back rising above his head, the cold surface of it slicked with condensation.
Behind him and above, cool teal-blue air and a damp blue-grey sky are the only background, hazy with cold and distance, and low over the horizon behind the throne a strip of pale green shows through the mist. A warm golden light rakes in from the upper left, laying a hot edge along the top of the crown, his brow, the crest of his shoulder and the ridge of his pectoral, and throwing the far side of his body, the undersides of his arms and the deep recesses of the throne into a dark cool grey-teal shadow. The floor around the throne is dark wet stone; near the axe head the light catches the wet surface and stretches a long warped reflection of the glowing yellow eyes down the polished stone. His white hair on the lit side glows pale against the teal air. The cold bites at bare skin -- the fine hairs on his arms stand up, and the fur at his waist stirs slightly as if in a draft. A cool, desolate and looming presence.
Mateus Pertussatti
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