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Artist Yasuhisa Izumisawa, Lilikin (race), Lilikin (World of Final Fantasy), non-human, large cylindrical heads, chibi, adorable, cute, uncensored, variable hair, Lilikins, rosy cheeks, small bodies, 3D, cute face, high quality, official style, 2girls, park, night, comic, bra, panties, underwear,
Show Parameters
Size
720 x 1280
Sampling Steps
17
Sampling Method
Euler a
CFG Scale
6
Negative
, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

Model & LoRA used

Hoshino - AI Model cover image

PixAI XL

Hoshino
15.58k
Lilikin (race) 2 - AI Model cover image

User LoRA

Lilikin (race) 2
3

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Avatar image of opti0nopp
character: serena_(pokemon), ash_ketchum comic, 8koma, multiple panels, full color, sequence, transformation, bodysuit, skinsuit, disguise, 1boy, 1other, spiky black hair, brown eyes, red baseball cap, blue vest, honey blonde hair, blue eyes, red hat, red skirt, black thighhighs, sleeveless shirt, dressing up, zipping up, looking in mirror, indoor lighting, cel shading An eight-panel comic page arranged in a structured two-column, four-row grid with clean white panel borders, rendered in full vibrant color with crisp cel-shaded lines. Panel 1: Medium shot, slightly high angle. A boy with spiky black hair, brown eyes, and zig-zag cheek marks stands beside a wooden table in a brightly lit room. He lifts an empty, lifelike silicone full-body suit by the shoulders. The hollow head of the suit hangs forward, displaying the sculpted, relaxed features of a honey-blonde girl with closed eyes, soft eyelashes, and an attached pink-red hat with a black band. The boy stares directly at the hollow face with raised eyebrows and parted lips in sheer curiosity. Panel 2: Eye-level frontal view. The boy holds the entire suit upright against the light to inspect it. The limp suit matches the full silhouette of the girl: a black sleeveless collared top, a flared red pleated skirt, and attached black thigh-high tights terminating in brown boots. The open rear seam along the back reveals the hollow interior. Panel 3: Medium low-angle shot. Having removed his blue vest and red baseball cap, placing them on a chair behind him, the boy sits on a wooden stool in a plain black undershirt. He slides both feet down into the empty leg sleeves of the suit, his toes pushing into the attached footwear. Panel 4: Cowboy shot focusing on the lower body. The boy stands upright, using both hands to pull the elastic silicone material upward over his knees and thighs. The red pleated skirt flips gently as the black stocking fabric stretches taut across his legs, conforming smoothly to his limbs with subtle tension wrinkles along the inner knees. Panel 5: Medium close-up. He slides his arms into the black sleeveless torso of the suit. His fingers slip into the suit's delicate feminine hand sections, spreading wide as the soft material adheres snugly to his palms and wrists. Panel 6: Close-up angled from below. He lifts the hollow headpiece over his face. The honey-blonde hair cascades outward over his shoulders as the girl's soft facial mask slides downward over his features; his dark eyes align with the blue-tinted eye lenses of the mask just before the seams close around his brow. Panel 7: Over-the-shoulder view from behind. Reaching one arm behind his upper back, he draws the hidden vertical zipper upward from the waistline to the nape of the neck. The seam seals flush and vanishes against the silicone skin, tightening the throat and chin of the disguise firmly into position. Panel 8: Wide shot. The fully transformed figure stands before a full-length dressing mirror, completely resembling the honey-blonde girl in her red hat, black collared top, red skirt, and black thigh-highs. One hand rests on the hip while the other lightly touches the brim of the red hat. The glass reflects the wide blue eyes and a faint, astonished smirk on the girl's face, with bright morning sunlight casting crisp, angled shadows across the wooden floorboards. Uncanny intrigue, playful curiosity.
opti0nopp
#Pokémon#Ash Ketchum#Pokémon (Anime)

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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