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View detailsK.I.T.T.
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- k.i.t.t,
- Size
- 1280 x 768
- Sampling Steps
- 10
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
HiRes
Model & LoRA used
Similar Images
Show morecharacter: batman, copyright: batman_(series), dc_comics
1car, no humans, vehicle focus, batmobile, black superhero car, sleek armored coupe, elongated hood, bubble canopy cockpit, bat-fin tailfins, jet exhaust nozzle at rear, heavy treaded rear tires, low ground clearance, matte black body with graphite panel seams, white headlight beams, wet asphalt, night, low angle, from below, three-quarter front view, dramatic foreshortening, wide shot, rain, reflections, motion blur on wheels, dc comics, batman (series), superhero vehicle, special vehicle, special car, cinematic
The camera sits low to the ground, almost at bumper height, looking up and slightly across the front-left corner of a single black armored superhero car — the only subject in frame, no driver, no passengers, no figures anywhere. The long hood sweeps toward the lens and swells with foreshortening, its slab sides rising to a bubble canopy that catches the rain; two tall bat-fin tailfins cut upward at the rear, framing a wide jet exhaust nozzle. The front-left tire is the nearest object in the image, its tread blocks huge and slick, the contact patch pressing a shallow crescent of displaced water out of the asphalt. Rain streaks diagonally through the white headlight beams, and in those beams only the falling drops are lit — individual streaks sharp near the lamps, dissolving to haze further out; the body panels stay dark, edged by a thin graphite rim-light along the hood's crease and along the canopy's curve. Every downward-facing surface drips; water beads stand on the upward-facing fins and on the hood's flat crown. The wet asphalt mirrors the car as a darker, softer, broken reflection pulled long by perspective, its streaks smeared by a faint motion blur at the wheels. Palette: black, graphite, cold blue-white headlight glare and the orange sodium spill bleeding in at the far right edge of frame; nothing else admitted. Light source: the car's own headlights plus a single distant streetlamp behind and to the right, its glow rimming the tailfins. Mood: cold, heavy, relentless.
Yiğit Şerif Yaman The Man
character: batman, copyright: batman_(series), dc_comics
1car, no humans, vehicle focus, batmobile, black superhero car, sleek armored coupe, elongated hood, bubble canopy cockpit, bat-fin tailfins, jet exhaust nozzle at rear, heavy treaded rear tires, low ground clearance, matte black body with graphite panel seams, white headlight beams, wet asphalt, night, low angle, from below, three-quarter front view, dramatic foreshortening, wide shot, rain, reflections, motion blur on wheels, dc comics, batman (series), superhero vehicle, special vehicle, special car, cinematic
The camera sits low to the ground, almost at bumper height, looking up and slightly across the front-left corner of a single black armored superhero car — the only subject in frame, no driver, no passengers, no figures anywhere. The long hood sweeps toward the lens and swells with foreshortening, its slab sides rising to a bubble canopy that catches the rain; two tall bat-fin tailfins cut upward at the rear, framing a wide jet exhaust nozzle. The front-left tire is the nearest object in the image, its tread blocks huge and slick, the contact patch pressing a shallow crescent of displaced water out of the asphalt. Rain streaks diagonally through the white headlight beams, and in those beams only the falling drops are lit — individual streaks sharp near the lamps, dissolving to haze further out; the body panels stay dark, edged by a thin graphite rim-light along the hood's crease and along the canopy's curve. Every downward-facing surface drips; water beads stand on the upward-facing fins and on the hood's flat crown. The wet asphalt mirrors the car as a darker, softer, broken reflection pulled long by perspective, its streaks smeared by a faint motion blur at the wheels. Palette: black, graphite, cold blue-white headlight glare and the orange sodium spill bleeding in at the far right edge of frame; nothing else admitted. Light source: the car's own headlights plus a single distant streetlamp behind and to the right, its glow rimming the tailfins. Mood: cold, heavy, relentless.
Yiğit Şerif Yaman The Man
character: batman, copyright: batman_(series), dc_comics
1car, no humans, vehicle focus, batmobile, black superhero car, sleek armored coupe, elongated hood, bubble canopy cockpit, bat-fin tailfins, jet exhaust nozzle at rear, heavy treaded rear tires, low ground clearance, matte black body with graphite panel seams, white headlight beams, wet asphalt, night, low angle, from below, three-quarter front view, dramatic foreshortening, wide shot, rain, reflections, motion blur on wheels, dc comics, batman (series), superhero vehicle, special vehicle, special car, cinematic
The camera sits low to the ground, almost at bumper height, looking up and slightly across the front-left corner of a single black armored superhero car — the only subject in frame, no driver, no passengers, no figures anywhere. The long hood sweeps toward the lens and swells with foreshortening, its slab sides rising to a bubble canopy that catches the rain; two tall bat-fin tailfins cut upward at the rear, framing a wide jet exhaust nozzle. The front-left tire is the nearest object in the image, its tread blocks huge and slick, the contact patch pressing a shallow crescent of displaced water out of the asphalt. Rain streaks diagonally through the white headlight beams, and in those beams only the falling drops are lit — individual streaks sharp near the lamps, dissolving to haze further out; the body panels stay dark, edged by a thin graphite rim-light along the hood's crease and along the canopy's curve. Every downward-facing surface drips; water beads stand on the upward-facing fins and on the hood's flat crown. The wet asphalt mirrors the car as a darker, softer, broken reflection pulled long by perspective, its streaks smeared by a faint motion blur at the wheels. Palette: black, graphite, cold blue-white headlight glare and the orange sodium spill bleeding in at the far right edge of frame; nothing else admitted. Light source: the car's own headlights plus a single distant streetlamp behind and to the right, its glow rimming the tailfins. Mood: cold, heavy, relentless.
Yiğit Şerif Yaman The Man
character: batman, copyright: batman_(series), dc_comics
1car, no humans, vehicle focus, batmobile, black superhero car, sleek armored coupe, elongated hood, bubble canopy cockpit, bat-fin tailfins, jet exhaust nozzle at rear, heavy treaded rear tires, low ground clearance, matte black body with graphite panel seams, white headlight beams, wet asphalt, night, low angle, from below, three-quarter front view, dramatic foreshortening, wide shot, rain, reflections, motion blur on wheels, dc comics, batman (series), superhero vehicle, special vehicle, special car, cinematic
The camera sits low to the ground, almost at bumper height, looking up and slightly across the front-left corner of a single black armored superhero car — the only subject in frame, no driver, no passengers, no figures anywhere. The long hood sweeps toward the lens and swells with foreshortening, its slab sides rising to a bubble canopy that catches the rain; two tall bat-fin tailfins cut upward at the rear, framing a wide jet exhaust nozzle. The front-left tire is the nearest object in the image, its tread blocks huge and slick, the contact patch pressing a shallow crescent of displaced water out of the asphalt. Rain streaks diagonally through the white headlight beams, and in those beams only the falling drops are lit — individual streaks sharp near the lamps, dissolving to haze further out; the body panels stay dark, edged by a thin graphite rim-light along the hood's crease and along the canopy's curve. Every downward-facing surface drips; water beads stand on the upward-facing fins and on the hood's flat crown. The wet asphalt mirrors the car as a darker, softer, broken reflection pulled long by perspective, its streaks smeared by a faint motion blur at the wheels. Palette: black, graphite, cold blue-white headlight glare and the orange sodium spill bleeding in at the far right edge of frame; nothing else admitted. Light source: the car's own headlights plus a single distant streetlamp behind and to the right, its glow rimming the tailfins. Mood: cold, heavy, relentless.
Yiğit Şerif Yaman The Man
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