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魔法使いの少年
このキャラクターはとても魅力的で、笑顔とちょっと悪戯っぽい表情が印象的です。彼のミステリアスな雰囲気と魔法の世界観に惹かれました。ぜひ皆さんにもこの魅力を感じてもらいたいです！いいねやフォローで応援してくださいね。次回も素敵な作品をお届けしますので、コメントもお気軽にどうぞ！
Show Parameters
- Original Prompt
- masterpiece, best quality, ultra detailed, 8K, highres, exquisite detail, highly detailed, detail illustration, detail eyes, beautiful eyes, soft color, Beautiful long eyelashes, Beautiful skin, whitening, soft skin tones, soft gradation, delicate depiction of the body, delicate depiction of the face, masterpiece, best quality, ultra detailed, 8K, highres, exquisite detail, highly detailed, clean composition masterpiece, best quality, ultra detailed, anime illustration, cute fantasy mage boy, short pastel pink hair, soft layered haircut, bright emerald green eyes, slightly upturned eyes, visible fang tooth (yaeba), fair skin, wearing a deep navy blue mage robe, silver embroidery, magical runes, elegant cloak, fantasy wizard attire, leather belt, spellbook at his side, mischievous smile, confident expression, youthful and charming appearance, talented young magician, surrounded by floating magic circles, glowing arcane symbols, blue and green magical particles, fantasy academy atmosphere, highly detailed eyes, detailed hair strands, realistic fabric folds, cinematic lighting, depth of field, fantasy anime style, vibrant colors, magical atmosphere, beautiful composition, 8k, masterpiece, character illustration
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler
- CFG Scale
- 3
- Negative
- bad quality, worst quality, lowres, jpeg artifacts, bad anatomy, bad hands, multiple views, signature, watermark, censored, ugly, messy, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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