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Nopity

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Haruka v2 - AI Model cover image

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Haruka v2
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<artist tag>, <character tag>, a high school girl with long, black hair tied in twintails is in a changing room, wearing a sleeveless volleyball uniform with a white and light blue color scheme. She uses her right hand to spread her armpit area, making eye contact with the viewer with a mocking gaze. Sweat glistens on her skin, and her expression is slightly teasing. The changing room setting is visible, including lockers and personal items, and simple shadows are omitted entirely, resulting in a clear, two-dimensional, cel-shaded anime style with bold lines and bright, flat colors, focusing on the character without complex shading.
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anime style, soft shading, smooth shading, clean lineart, thin lineart, delicate lineart, pastel colors, low saturation, muted colors, soft lighting, detailed hair, glossy hair, soft contrast, kawaii aesthetic, yume kawaii, masterpiece, best quality, delicate lineart, thick paint texture, creamy shading, ultra glossy hair, iridescent hair highlights, translucent bangs, glossy eyes, soft blush, pale skin, masterpiece, best quality, highly detailed, detailed anime background, high quality background, clean crisp lineart, delicate lineart, thin interior lines, slightly thicker outer contour, clear colors, balanced contrast, clear tonal separation, soft lighting, defined shadows, smooth shading, soft shading, detailed hair, glossy hair, light blush, anime style, (1girl, 1boy), (1girl: long brown hair, braided hair, wavy hair, bangs, closed eyes, blush, half up braid, black ribbon, tareme, white short-sleeve polo shirt, dark navy track jacket, unzipped jacket, team emblem on chest, dark navy skirt, black lanyard, staff ID card, whistle around neck, baseball cap), (1boy: black under cut, closed eyes, eyes, narrow eyes, thick eyebrows, navy soccer jersey, short sleeves, white jersey number, team crest on chest, navy soccer shorts, neutral expression), kissing, standing close together, facing each other, eyes closed, arms wrapped around each other, embracing while kissing, soccer team lounge beside indoor training ground, benches, sports bags, equipment shelves, water bottles, training bibs hanging on wall, early evening, warm sunset light coming through windows, quiet empty room, medium shot, side view, both characters clearly visible, intimate atmosphere, natural pose
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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#Attack on Titan#Mikasa Ackerman
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