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Mika 3633244
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u1
"", , , delicate face,glossy eyes,clear lineart, 8k, detail illustration.
Base: 1boy, pretty, beauty, beautiful boy, handsome, pretty, beauty, gorgeous. One mole under the eye.
Eyes: Languid eyes. Gentle eyes with downturned outer corners. Not looking fierce, a gentle and soft baby cat-like face. Long eyelashes and long outer corners of the eyes. Brilliant pupils blending three colors (purple, pink, ruby-red). Vivid pink pupils.
Hair: Hair blending light pink and pastel platinum blonde. Wavy, shaggy short cut.
Body: Skin is white and clean. Faint blushes spread on the knuckles, collarbones, under the eyes, and in deep areas of the body.
Outfit: White high-neck blouse, wearing elegant white half-gloves on the hands. A black lace frill ribbon around the neck.
Background: The man is staring at the viewer. ,y3llow style, embarrassed expression, sweat, cute, blush, body tightly tied and wrapped with black lace ribbons, floor background. Illustration with distinct contrast of light and shadow. Black slacks pants.,modern_illust_style,highly_detailed_anime_style,highly_detailed eyes,""
usiusi1
c1
Hunter being hunted down 01
Crystblade100
lm
Waiting for his interrogation 01
Lars M.
mm
character: bakugou_katsuki
1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir
Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash.
The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray
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