PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "Anya Fromel" featuring #Is It Wrong to Try to Pick Up Girls in a Dungeon? and #Anya Fromel
Generate New ArtworkGenerate for FreeGenerate for Free

Anya Fromel

#Is It Wrong to Try to Pick Up Girls in a Dungeon?#Anya Fromel
Avatar image of InkBird
avatar-frame

InkBird

More to See

Comments

character: anya_fromel, A wide shot captures a dynamic battle scene in a sunlit fantasy city during the day. Anya Fromel, a cat-girl with short brown hair, yellow eyes, cat ears, a tail, and a maid headdress, is suspended in mid-air, having just leaped high. Her body is twisted dynamically as she plunges a golden spear into the ground below, creating a burst of dust and debris. Golden, ghostly trails of light follow her trajectory, emphasizing her speed and power. She wears a standard maid outfit with shorts, and her expression is fierce and focused. The background features detailed fantasy architecture with stone buildings and floating islands, adorned with blooming flowers and vibrant greenery. The atmosphere is energetic and magical, with bright daylight casting sharp shadows, high-quality anime illustration style, vivid colors, and a sense of intense motion.
Show Parameters
Original Prompt
A dynmaic battle scene where Anya plants his spear in the ground to leap high into the air, golden trails following his movements like a ghost, anya fromel, gold spear, high quality, best quality, masterpiece, full body, wide shot, fantasy city, day, flower,
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.68k

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
1#Attack on Titan#Mikasa Ackerman
HomeModelsMio.2Profile