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Kobeya, Is There a Gal Who's Kind to Otaku?!
Show Parameters
- Size
- 896 x 1152
- Sampling Steps
- 14
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark
Model & LoRA used
![[SDXL&Pony] kobeya uniform / 神戸屋制服 - AI Model cover image](https://images-ng.pixai.art/images/thumb/d7347df0-e27d-4f79-a363-cba6bd2e20b7)
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真雪
1girl, solo, kobeya uniform, blue bowtie, blue-and-white gingham apron, pleated white shirt, short sleeves, solid blue skirt, apron straps, apron pockets, ruffled apron edge, bakery tray, wire basket, french bread, bread rolls, from above, looking up, three-quarter view, standing behind counter, leaning forward, tiptoes, offering tray, outstretched arm, open-mouth smile, one eye closed, wink, blush, hair pinned back, bob cut, brown hair, brown eyes, name tag,
Seen from above, three-quarter view, a young woman in her early twenties stands behind a bakery counter and rises onto her tiptoes, leaning forward over the counter's near edge to push a wire tray toward the viewer. Her short bob-cut brown hair is pinned back off her face, and her brown eyes tilt up toward the lens while one eyelid closes in a wink; her mouth is open in a broad smile, a warm flush across both cheeks. She wears the Kobeya restaurant-bakery waitress uniform: a pleated white short-sleeved shirt buttoned to the collar, a blue bowtie knotted crisply under the chin, a solid blue skirt at the waist, and over it a high-waisted blue-and-white gingham apron whose shoulder straps cross to the back, with two patch pockets at hip level and a ruffled hem edge. A small rectangular name tag sits on the left chest of the shirt. Both hands grip the two short sides of the wire basket: right hand near the rim, left hand under the base, and the basket tilts slightly toward the viewer with three golden baguettes and a cluster of round rolls resting inside, the frontmost roll having rolled to nestle against the front wire. The counter's glass bakery case is before her, and the top of the case cuts across her waist in the view from above, so the skirt below that line is partly occluded. Behind her, the bakery shelves fade out of focus with pale wooden boards and rows of blurred breads. The light is a warm overhead pendant glow, soft and even, casting short shadows beneath the tray, beneath her hands and beneath her chin, with a gentle drop shadow behind her on the counter; beyond the pendant pool the background shelves fall into a dim warm amber. The palette is white and blue gingham plus solid blue in the apron and bowtie and skirt, warm golden-brown in the bread and her hair, cream and amber in the background. The apron's gingham check forms tiny squares that warp slightly over the curve of her waist; the blue bowtie sits crisp at the collar with a single shadow line across the knot. Inviting, bright, small delight.
真雪
真雪
1girl, solo, kobeya uniform, blue bowtie, blue-and-white gingham apron, pleated white shirt, short sleeves, solid blue skirt, apron straps, apron pockets, ruffled apron edge, bakery tray, wire basket, french bread, bread rolls, from above, looking up, three-quarter view, standing behind counter, leaning forward, tiptoes, offering tray, outstretched arm, open-mouth smile, one eye closed, wink, blush, hair pinned back, bob cut, brown hair, brown eyes, name tag,
Seen from above, three-quarter view, a young woman in her early twenties stands behind a bakery counter and rises onto her tiptoes, leaning forward over the counter's near edge to push a wire tray toward the viewer. Her short bob-cut brown hair is pinned back off her face, and her brown eyes tilt up toward the lens while one eyelid closes in a wink; her mouth is open in a broad smile, a warm flush across both cheeks. She wears the Kobeya restaurant-bakery waitress uniform: a pleated white short-sleeved shirt buttoned to the collar, a blue bowtie knotted crisply under the chin, a solid blue skirt at the waist, and over it a high-waisted blue-and-white gingham apron whose shoulder straps cross to the back, with two patch pockets at hip level and a ruffled hem edge. A small rectangular name tag sits on the left chest of the shirt. Both hands grip the two short sides of the wire basket: right hand near the rim, left hand under the base, and the basket tilts slightly toward the viewer with three golden baguettes and a cluster of round rolls resting inside, the frontmost roll having rolled to nestle against the front wire. The counter's glass bakery case is before her, and the top of the case cuts across her waist in the view from above, so the skirt below that line is partly occluded. Behind her, the bakery shelves fade out of focus with pale wooden boards and rows of blurred breads. The light is a warm overhead pendant glow, soft and even, casting short shadows beneath the tray, beneath her hands and beneath her chin, with a gentle drop shadow behind her on the counter; beyond the pendant pool the background shelves fall into a dim warm amber. The palette is white and blue gingham plus solid blue in the apron and bowtie and skirt, warm golden-brown in the bread and her hair, cream and amber in the background. The apron's gingham check forms tiny squares that warp slightly over the curve of her waist; the blue bowtie sits crisp at the collar with a single shadow line across the knot. Inviting, bright, small delight.
真雪
喜
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