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Ahoge, Socks
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- Original Prompt
- ベージュのような髪色 straight hair, bob cut, long sidelocks,アホ毛, ヘアインテーク 姫カット ponche pink eyes, round eyes, sharp blunt long bangs, smile 八重歯 猫のような口 :3 中性的 貧乳 ,小柄 strawberry mille-feuille cape coat, layered frills resembling pastry layers, strawberry decorations, ribbon corset, lace-trimmed cape, whipped cream inspired details, dessert fantasy fashion, pink and cream palette, cute lolita aesthetic, highly detailed sweet gothic lolita dress, pastel pink and white color scheme, voluminous bell-shaped silhouette, elegant sweet lolita fashion, pastel pink dress with luxurious white frills, pink bonnet headdress with white lace and ribbon bows, large pink rose corsage, oversized white bowtie, fitted bodice, long puff sleeves, multilayer lace cuffs, decorative ribbons, white frilled mini apron, voluminous flared mini skirt, layered ruffles, ornate embroidered hem, visible white frilled bloomers, delicate lacework, intricate embroidery, ribbon ornaments, premium fabric texture, pastel pink frilled ankle socks, white mary jane shoes, princess-like silhouette, doll-like appearance, highly detailed costume design, elegant and adorable, luxurious layered clothing, fine fabric folds, delicate patterns, ultra detailed, masterpiece quality
- Size
- 768 x 1280
- Sampling Steps
- 14
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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