Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

tky

More to See

Comments

An eye-level, medium-long shot frames the standing figure off-center within a cubicle, utilizing negative space to emphasize the receding perspective of the row. The dominant color palette blends dusty pinks and stark concrete grays, contrasted by the vivid pink of the square tiles and the wearable glow of a suno lens flare. High-key, soft illumination washes over the scene, casting gentle shadows and creating a serene, nostalgic atmosphere. The aesthetic is a polished digital anime illustration, characterized by crisp cel-shading, meticulous attention to textural details, and a professional, high-quality rendering standard. The girl, las_(yume-100), stands confidently, her slender build accentuated by the form-fitting, old-style Tky classic school swimsuit. She features striking blue eyes framed by luminescent, sparkling hair that falls past her shoulders in soft waves. Her gaze, focused and serene, meets the viewer head-on. She wears an alternate costume, a traditional Japanese school swimsuit made of plain navy one-piece fabric, deeply molded to her figure. Subtle, crystalline details trail down her left arm, catching the scattered light, while her other arm rests casually at her side, completing the poised, doll-like silhouette. The setting is a slightly old, dusty pink sunokoro slatted floor Japanese school pool changing room, featuring rows of square empty cubbies. A single iconautic window on the concrete wall filters bright, diffused light into the room, fostering a bright, airy sense of space despite the nostalgic overtones. The background is deliberately plain, with the stark, slightly weathered concrete wall and fading floor tiles drawing the eye back to the girl. Subtle texturas on the floor and soft, diffused shadows enhance the depth of field, grounding the figure in this quiet, everyday institutional space.
Show Parameters
Original Prompt
tky_japanese_school_pool_changing_room_vividpink_squareemptycubbies_dustypink_sunokoslatted_floor_slightly_old,壁に1つの曇り加工ガラス窓,concrete_wall,standing,tky_classic_school_swimsuit_showa_style, plain navy one-piece swimsuit, traditional japanese school swimsuit, old-style school swimsuit,
Mode
lite
Size
1024 x 1024

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬