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- Original Prompt
- 日漫动漫画面，细节刻画达到极其精致的程度，色彩明亮。以动态角度构建出充满故事感且带有些许忧郁氛围的场景。画面以银色、墨绿和紫色作为主要色彩，插入了极度精致繁华的花卉元素，使得画面富有独特魅力。采用厚涂和晕染水粉的技法，呈现出颜料的涂抹质感，充满颗粒感和肌理感，营造出超古风主义美学的高级氛围感与层次感。 ,manga style, anime, highres, best quality,Rumi, a mature kitsune girl with very long brown hair worn partly up in a single side bun, distinctive X-crossed bangs, sharp violet eyes and a small mole under one eye; fluffy fox ears and a bushy fox tail, a red halo, and a notably full figure.
- Mode
- ultra
- Style
- Muted & Transparent
- Size
- 864 x 1536
- Negative
- worst quality, photorealistic, bad anatomy, blur, low resolution
Style: Muted & Transparent
Model & LoRA used
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홍원
MMM style, masterpiece, best quality, best aesthetic, clean thin anime lineart, soft airbrush gradient shading, hybrid cel and digital painting, subtle painterly soft blending, layered illustration eyes, faint controlled glow, narrow selective glossy specular, orange hair, very long hair, kimono, green eyes, half-closed eyes, slight smile, masterpiece, best quality, very aesthetic, detailed illustration, ultra detailed, anime coloring, detailed eyes, detailed hair, soft lighting, smooth shading, field, fox ears, fox tail
홍원
휴
masterpiece,best quality,very aesthetic,detailed illustration,ultra detailed,anime coloring,detailed eyes,detailed hair,soft lighting,smooth shading,MMM style,masterpiece,best quality,best aesthetic,dead eyes, ultra-long hair, green eyes, red and white kimono, field, fox tail, fox ears, half-closed eyes and a faint smile, tied hair silver-white hair, platinum blonde, ash gray undertones, soft ivory highlights,clean thin anime lineart,soft airbrush gradient shading,hybrid cel and digital painting,subtle painterly soft blending,layered illustration eyes,faint controlled glow,narrow selective glossy specular
휴려효
s
女孩
Smile
Confident Fox Girl in Traditional Miko Attire
〒.,€●•.☆.♤※%◯~
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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