📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

あーた

More to See

Comments

Captured from an extreme high-angle on one side profile, this 4K 8K resolution masterpiece features a prominent double exposure silhouette that integrates a layered internal fantasy world within the character's form. The ultra wide-angle composition utilizes abundant negative space and a clean white background, creating an elegant, ornate fantasy poster. A strong double exposure effect merges the glossy, sharp focus silhouette with high-contrast separation against the bright whites, while glowing elements and a subtle depth of field enhance the ultra-sharp ultra-detailed composition. The visual style is a watercolor collage, blending intricate background details with the luminous internal imagery. The 15-foot-tall legendary shiranui_(genshin_impact) witch, a mature old granny, possesses absurdly colossal sagging breasts and extremely massive, deeply drooping club breasts that press heavily against her body. Her abnormally colossal height and extremely long blonde hair sway with, complemented by very long straight bangs covering her chest and falling to her waist. A motherly kind hairless face is set with tareme eyes and large hopeful eyes accented by heavy red eyeliner. She has wearing white fox ears, and nine golden tails with white tips frame her. Her full-length dress features a lengthy collar and a floor-sweeping, two-tone ensemble, consisting of a white shirt with a cleavage cutout and a blue skirt with white trim. The setting is a dark nighttime shrine immersed in a black, night-like ambiance. Multiple red torii gates recede into the darkness, while the stone staircase winds up behind the character. Within the double exposure collage, symbolic internal stacking and a luminous abstract landscape resonate with her cosmic presence, surrounded by floating glowing musical notes and watercolor floating petals that drift through the negative space.
Show Parameters
Original Prompt
ultra wide-angle, negative space, from above, 背景は夜の神社でいくつもの赤い鳥居がある、上りの石段が見える、 金髪の狐で金の九尾の尻尾に白の先端、absurdly long hair, 母性的で優しい顔、目元と目じりには赤いメイク、狐の耳は耳先を白くして耳の中は白い毛に、長い狐耳、左右の前髪は胸を覆い腰まで届く非常に長い、やや垂れ目で大きな目、衣装は裾の長く床に引きずるほど長く白に青の着物、15等身の高身長、熟女、成熟した熟女、背景は黒く夜のように幻想的に
Mode
ultra
Size
1536 x 864
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬