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Elyrene of the Past Reverie

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(warcraft style), 1girl, sally whitemane (warcraft), lightforged draenei (warcraft), paladin, glowing white skin, glowing yellow-res eyes, (short white hair, bob cut, sharp pixie cut hair:1.5), sultry smirk, (hyper-realistic gigantic breasts, extreme breast size expansion, massive q-cup:1.3), (unbelievably thick thighs, massive wide heavy hips:1.2), muscular build, extremely tall. (holding massive spiked war hammer mace weapon:1.4), holding glowing Bulwark of Azzinoth (warcraft), (full leg armor, long armor plating extending all the way up to her upper thighs, thigh-high armored plate boots:1.5), heavy gold-trimmed metal greaves, high heel boots. (polished black-gold bikini plate armor with ornate dark gold trim), heavily armored gold-trimmed metal pauldrons, (high metallic gorget neck guard:1.3), heavy metal waist belt with ornate buckle, heavy armored gauntlets. glowing golden highlights, cinematic dramatic lighting, night city street background, glowing lanterns, dark fantasy atmosphere, intricate details, dynamic shading, (masterpiece, best quality, ultra-detailed:1.3). ,<lora:SallyWhitemane3216NoobAIXL075v11:1>, Sally Whitemane, 1girl, mature female, white hair, red eyes, makeup, lipstick, red lips, hat, shoulder armor, high collar, multiple cloaks, pelvic curtain, two-tone leotard, elbow gloves, thigh boots
Show Parameters
Size
750 x 1000
Sampling Steps
30
Sampling Method
Euler a
CFG Scale
6.3
Negative
short boots, bare thighs, skin thighs, empty hands, (worst quality, low quality:1.4), deformed, bad anatomy, disfigured, poorly drawn face, mutated hands, extra fingers, missing fingers, long hair, blue hair, white hair, normal human feet, leather boots, fabric boots, sword, shield, bow, gun, text, watermark.
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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