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AI artwork featuring #Rei Ayanami and #Neon Genesis Evangelion
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Rei Ayanami, Neon Genesis Evangelion

#Rei Ayanami#Neon Genesis Evangelion
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shino

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(1girl, alone, dynamic cinematic angle, detailed high-quality animation style, Oshii Mamoru cyberpunk aesthetics blended with Shinkai Makoto light rays), (short silver hair with faint cyan neon streaks, tech-glowing eyes, sleek white futuristic plugsuit), (standing inside a massive dark server room filled with thousands of blinking blue and green wire nodes, giant holographic projection of an abstract blue ocean and data streams swirling around like a vortex), (looking up at the massive vertical cyber structure, hands subtly reaching out, digital light emitting tears dissolving into numeric particles upwards, code softly floating in weightless inorganic atmosphere), (extremely wide cinematic long shot, dynamic cyan light streaks, sharp wire resonance piercing the silent void, cinematic depth of field, sharp focus on the character, glitch artifact lens flare), (masterpiece, top quality, Tsubaki.2 style, 9:16 aspect ratio)
Show Parameters
Mode
pro
Size
720 x 1280
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.00k

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AI artwork
在
1girl, solo, zero gravity, floating, from below, dutch angle, looking at viewer, silver hair, short hair, hair between eyes, pale skin, empty eyes, slate grey eyes, parted lips, expressionless, futuristic bodysuit, monochrome pilot suit, number print, geometric design, asymmetrical pose, reaching towards viewer, curled fingers, weightless hair, circular halo, glowing ring, technical cables floating, minimalist sci-fi, pitch-black background, monochrome with cyan accent, high contrast, rim lighting, sharp shadows From below at a slight Dutch angle, a solitary girl drifts in complete zero gravity suspended inside an immense, pitch-black vacuum. She has cropped silver-white hair that radiates outward in weightless, floating arcs around her temples, pale skin, and wide, unblinking slate-grey eyes looking straight down into the lens with parted lips and a detached, calm gaze. She wears a skin-tight synthetic pilot suit paneled in matte chalk-white and obsidian-black polymers, featuring a sharp graphic numeral "0" stenciled cleanly over the left pectoral plate and fine grey seam lines mapping her ribs. Her torso tilts backward in weightless drift; her left arm reaches downward toward the camera with fingers loosely curled in foreshortening, while her right hand rests lightly over her collarbone. Directly behind her floating form, a giant, razor-thin luminous white circular ring forms an unbroken zero halo that backlights her silhouette. Thin detached umbilical cables and micro-particulate dust specks drift in loose sine waves across the midground without sagging downward. A single harsh, cool-white key light strikes from high above to the right, throwing crisp specular highlights along the synthetic fabric seams while plunging the underside of her jaw and floating legs into pitch shadow, with an electric-cyan rim light defining her left shoulder. High-contrast monochrome palette accented only by crisp light edges; quiet desolation.
在非洲裡的萬代酋長（悠玖）
AI artwork
在
1girl, solo, zero gravity, floating, from below, dutch angle, looking at viewer, silver hair, short hair, hair between eyes, pale skin, empty eyes, slate grey eyes, parted lips, expressionless, futuristic bodysuit, monochrome pilot suit, number print, geometric design, asymmetrical pose, reaching towards viewer, curled fingers, weightless hair, circular halo, glowing ring, technical cables floating, minimalist sci-fi, pitch-black background, monochrome with cyan accent, high contrast, rim lighting, sharp shadows From below at a slight Dutch angle, a solitary girl drifts in complete zero gravity suspended inside an immense, pitch-black vacuum. She has cropped silver-white hair that radiates outward in weightless, floating arcs around her temples, pale skin, and wide, unblinking slate-grey eyes looking straight down into the lens with parted lips and a detached, calm gaze. She wears a skin-tight synthetic pilot suit paneled in matte chalk-white and obsidian-black polymers, featuring a sharp graphic numeral "0" stenciled cleanly over the left pectoral plate and fine grey seam lines mapping her ribs. Her torso tilts backward in weightless drift; her left arm reaches downward toward the camera with fingers loosely curled in foreshortening, while her right hand rests lightly over her collarbone. Directly behind her floating form, a giant, razor-thin luminous white circular ring forms an unbroken zero halo that backlights her silhouette. Thin detached umbilical cables and micro-particulate dust specks drift in loose sine waves across the midground without sagging downward. A single harsh, cool-white key light strikes from high above to the right, throwing crisp specular highlights along the synthetic fabric seams while plunging the underside of her jaw and floating legs into pitch shadow, with an electric-cyan rim light defining her left shoulder. High-contrast monochrome palette accented only by crisp light edges; quiet desolation.
在非洲裡的萬代酋長（悠玖）
#Rei Ayanami#Neon Genesis Evangelion

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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