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character: moegi_emo
emo_cute_chibi_style_mung_dit3, thich lines, chibi only, high-quality Japanese anime/manga style character illustration
1. Basic Art Style and Drawing Quality
High-quality Japanese anime/manga style character illustration.
Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color scheme.
Linework is fine and smooth, without unnecessarily thick contour lines. Hair is drawn strand by strand in detailed clumps, and facial features are depicted clearly and delicately.
Skin is fair with a natural complexion. Combining faint pink gradients with soft shading to create a smooth, matte texture.
Overall using pale colors and delicate depiction, avoiding excessive chibi deformation or flashy effects.
Expressing the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils, eyebrow angle, and a subtle twitch at the mouth.
2. Basic Character Appearance
A Japanese anime-style girl featuring black bob-cut hair.
Petite and slender build. Narrow shoulders, slim torso, slender arms and legs. Overall a clean, delicate silhouette.
The head is slightly large relative to the body, but avoiding extreme head-to-body proportion deformation.
Facial features are plain and reserved. Not emphasizing bishoujo glamour, projecting a somewhat drab, clumsy, and approachable atmosphere.
3. Face Contour
Face is a slightly small oval shape.
Connecting naturally in a curve from forehead to cheeks and chin, with a soft chin tip that is not overly sharp.
Cheeks retain moderate roundness. Face width is not too wide, contour is natural and smooth.
Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unpretentious, plain countenance.
The chin is not extremely pointed. The contour is not excessively sharp.
4. Hairstyle and Hair Color
Hair color is an extremely dark black close to pure black. Subtle highlights containing dark gray or slight brown are added where light hits.
Hairstyle is a bob cut ranging in length from chin to near the neck.
Forms a naturally rounded silhouette from the back of the head to the sides.
Hair has moderate volume, spreading softly along the shape of the head. Hair ends are not completely neat, flipping outwards here and there.
Left and right hair clumps are not completely symmetrical, retaining a natural dishevelment.
Fine hair strands are meticulously drawn onto the hair surface to express smooth hair flow and soft three-dimensionality.
The hair contour has moderately fine irregularities, creating a natural hairstyle that is not overly manicured.
5. Bangs
Bangs are thick, heavy blunt straight bangs.
Covering the forehead broadly, hanging from near the eyebrows to right above the eyes.
The center section of the bangs is relatively heavy, concealing the forehead with dense black hair.
The bottom edge of the bangs is not a completely straight line, but has irregular notches from fine hair clumps.
A few fine hair clumps naturally separate and hang down slightly over the eyes.
The forehead is barely visible through gaps in the bangs, avoiding exposing a large portion of the forehead.
Crucially, bangs hang down to just above the eyes. However, the outlines of both eyes and the small pupils must be clearly visible.
Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a hairstyle that reveals much of the forehead.
6. Most Important: Eye Shape and Structure
The eyes are the most crucial element defining this character's individuality.
Do not make them large, round eyes with wide-open irises and sparkling pupils like typical anime characters.
Horizontally elongated, narrow, with small vertical opening, sleepy half-open eyes. Pupils are extremely small, with a large sclera (white of the eye) area. Clearly depicting sanpaku eyes.
6-1. Outer Eye Shape
Eye shape is long horizontally and narrow vertically.
The gap between upper and lower eyelids is narrow; eyes are not opened wide.
Horizontal width of the eyes is maintained to an extent, while vertical height is kept modest.
Eye outline is a smooth horizontally long shape, rather than a round almond shape, appearing somewhat flat, as if pressed from top and bottom.
Upper eyelid is relatively straight, giving a slightly heavy impression.
Forms a natural line slanting slightly downward from the center of the upper eyelid to the outer corner of the eye.
Outer corners of the eyes droop slightly, resulting in a subtle tareme (droopy eyes) look overall.
Inner corners of the eyes are not overly sharp, remaining natural in shape.
Do not open the eyes wide vertically. Do not make surprised round eyes.
6-2. Pupil Size: Highest Priority
Iris and pupil are distinctly smaller than those of standard Japanese anime characters.
The iris diameter is made extremely small, minimizing the area it occupies relative to the sclera.
The dark center of the eye is not a large circle, but rather a small vertically long to near-oval shape.
Iris is very dark gray to black. The outer rim contour is also understated.
Pupil is placed small within the iris, preventing the entire dark eye center from appearing large.
Do not spread the pupil to fill the center of the eye. Do not enlarge the iris to match the eye's vertical height. Leave ample sclera around the pupil.
Make the sclera area overwhelmingly broader than the dark center of the eye.
Keep the dark center of the eye only large enough to confirm its presence, preventing the pupil itself from dominating the facial impression.
Express individuality not through eye size, but through the contrast between the broad sclera and tiny pupils.
6-3. Depiction of Sanpaku Eyes
Clearly depict sanpaku eyes.
The sclera area is very broad relative to the small pupil, specifically structured so the white of the eye is clearly visible beneath the pupil.
Sclera is also moderately visible above, with the white of the eye surrounding the pupil above and below.
Gaze direction and small pupil placement make the sclera prominent above, below, left, and right.
However, do not create a grotesque appearance with bulging eyeballs.
Keep eyeball shape natural, emphasizing sanpaku eyes purely by shrinking the iris.
Keep vertical eye height narrow while securing a large sclera.
Important: Increase sclera proportion not by enlarging the eyes, but by making the pupils small within narrow eyes.
6-4. Pupil Placement
Pupils are positioned near the center of the eyes, but not in a completely mechanical center position.
There is a very slight, natural asymmetry in the positioning between left and right pupils.
Gaze is fundamentally facing forward, but directed in a way that suggests a bit of confusion and restlessness.
Do not push pupils extremely to the sides. Do not make them severely cross-eyed or strabismic.
Ensure that adjusting pupil position does not lose the breadth of the sclera.
Left and right eyes have subtle differences within a natural range, avoiding mechanical symmetry.
6-5. Eyelids and Eye Contours
The upper eyelid line is drawn slightly darker and marginally thicker than the lower eyelid line.
Upper eyelid conveys heaviness, giving a sleepy, languid impression.
Lower eyelid line is thin and delicate, not overemphasized.
Eye contours are in dark colors close to black, rendered smoothly.
Eyelashes are understated, not long, dense, or glamorous.
Do not excessively extend eyelashes at the outer corners.
Do not make eyeliner too thick; no flashy makeup.
6-6. Eye Highlights
Highlights in the eyes are kept to an absolute minimum.
No large white light reflections, star-shaped highlights, or multiple sparkling dots.
No intense gradients in the iris, keeping a subdued tone from dark gray to black.
Do not make eyes sparkle like gems.
The charm of the eyes is expressed not through pupil sparkle, but through the contrast of wide sclera and tiny pupils, heavy upper eyelids, and narrow eye shape.
6-7. Emotion Conveyed by the Eyes
The gaze is sleepy, languid, and looks somewhat awkward.
Eyelids appear heavy, giving the impression of someone unaccustomed to opening their eyes wide.
Not an assertive glare or sharp scowl, but a nervous, slightly bewildered gaze.
There is slight anxiety and hesitation in the look.
Expressing emotion through subdued facial changes without opening eyes wide or raising eyebrows high.
Expressing a nervous psychological state while maintaining tiny pupils and wide sclera.
7. Eyebrows
Eyebrows are a dark color close to the black hair.
Partially hidden by bangs, avoiding the entirety being too clearly visible.
Eyebrow thickness is thin to standard, with a natural shape.
Eyebrow angle has a subtle instability, expressing confusion and tension.
Slight tension near the inner ends of the brows, with the entire eyebrows subtly strained.
Do not sharply arch or emphasize anger.
Combining the heaviness of the eyes with the subtle eyebrow angle to create an awkward expression.
8. Nose
Nose is small and modest.
Concise anime-style depiction that is not overly conspicuous when viewed from the front.
Without emphasizing the nasal bridge, expressed naturally with small lines or pale shading.
Nose shading is not too dark, preventing the nose alone from standing out on the face.
9. Mouth
Mouth is small, not standing out too much on the face.
Mouth is slightly distorted from tension.
Mouth is opened just a crack, with upper and lower teeth slightly visible.
A stiff, strained mouth as if gritting teeth.
Upper and lower teeth are subtly visible as narrow white shapes. Do not draw the
ちょな子
1girl,,Casual,thighhighs ,
user-2070214239774962223
つきよのゆめ
copyright: onii-chan_wa_oshimai!
Onimai art style, high quality Japanese anime/manga-style character illustration
1. Basic Art Style & Drawing Quality
High-quality Japanese anime and manga style character illustration.
Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color design.
Line art is thin and smooth, without unnecessarily thick outlines. Hair is drawn strand by strand with fine detail, and facial features are depicted clearly and delicately.
Skin is bright with a natural complexion. Smooth, matte texture achieved through a combination of pale pink gradation and soft shading.
Overall, use pale colors and delicate depiction, avoiding excessive chibi deformation or flashy visual effects.
Express the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils/irises, eyebrow angle, and subtle tension around the mouth.
2. Basic Character Appearance
A Japanese anime-style girl characterized by black bob hair.
Petite, slender build. Narrow shoulders, slim torso, slender arms and legs. Overall clean, delicate silhouette.
Head is slightly large relative to the body, but avoid extreme chibi proportions.
Facial features are plain and modest. Do not emphasize glamorous pretty-girl charm; instead, give her a somewhat unassuming, clumsy, and approachable atmosphere.
3. Face Contour
Slightly small, egg-shaped face.
A natural curve connects from the forehead to cheeks and chin, with a soft chin that is not overly pointed.
Moderate roundness remains in the cheeks. Face width is not too wide, outline is natural and smooth.
Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unflashy, simple look.
Do not make the chin extremely pointed. Do not make the facial outline overly sharp.
4. Hairstyle & Hair Color
Hair color is an extremely dark black close to pure black. In areas hit by light, add modest highlights containing dark gray or slight brown.
Hairstyle is a bob cut reaching around the chin to neck.
Forms a naturally rounded silhouette from the back to the sides of the head.
Hair has moderate volume, puffing out gently along the head shape. Ends are not completely blunt, slightly flipping outward in places.
Hair locks on left and right are not completely symmetrical, leaving natural disarray.
Fine hair strands are carefully drawn onto the hair surface, expressing smooth flow and soft three-dimensional volume.
Hair contour has moderate fine irregularities, resulting in a natural, not-too-tidy hairstyle.
5. Bangs
Thick, heavy straight-cut bangs (blunt bangs).
Broadly covering the forehead, hanging from near the eyebrows to just above the eyes.
The center of the bangs is relatively heavy, concealing the forehead with dense black hair.
The bottom edge of the bangs is not a straight line, but features irregular textures made of fine hair strands.
A few thin strands naturally separate, hanging slightly over the eyes.
Forehead is barely visible through gaps in the bangs; do not expose the forehead widely.
Crucially, the bangs hang down just above the eyes. However, both eye contours and the small pupils/irises must remain clearly visible.
Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a style that shows a lot of forehead.
6. Most Important: Eye Shape & Structure
The eyes are the most critical element defining this character's individuality.
Do not make them large, round eyes, widely expanded irises, or sparkling pupils typical of standard anime characters.
Horizontally elongated, narrow, with small vertical opening—sleepy, half-opened eyes. Pupils/irises are extremely small, leaving a large area of sclera (white of the eye). Clearly depict sanpaku eyes.
6-1. Eye Contour
Eye shape is long horizontally and narrow vertically.
The gap between upper and lower eyelids is narrow; eyes are not wide open.
While horizontal width is maintained to a degree, vertical height is kept minimal.
Eye contour is a smooth, elongated shape, not a round almond shape, but somewhat flat, as if pressed from above and below.
Upper eyelid is relatively straight, giving a slightly heavy impression.
Forms a natural line slanting slightly downward from the center of the upper eyelid toward the outer corner.
Outer corners droop slightly, creating overall subtle droopy eyes (tareme).
Inner corners are not overly sharp, remaining natural.
Do not open the eyes too wide vertically. Do not make them startled, round eyes.
6-2. Iris/Pupil Size: Top Priority
Irises and pupils are clearly smaller than standard Japanese anime characters.
Irises are extremely small in diameter, minimizing the area they occupy relative to the white of the eyeball.
Dark centers are not large circles, but small, vertically elongated or oval-like shapes.
Iris color is very dark gray to black. Outer border outline is also understated.
Pupils are placed small inside the irises, keeping the entire dark center from looking large.
Do not spread the dark eye centers to fill the eye. Do not expand the irises to match the eye's vertical height. Leave ample sclera around the pupils/irises.
Make the sclera area look overwhelmingly wider than the dark centers.
Keep dark eye centers just large enough to be recognized, ensuring the pupils themselves do not dominate the face's impression.
Express individuality not through eye size, but through the contrast between wide sclera and tiny irises.
6-3. Sanpaku Eye Depiction
Clearly depict sanpaku eyes.
Sclera area is extremely wide relative to the tiny irises, structured so white is distinctly visible especially below the irises.
Sclera is also moderately visible above, with whites surrounding the small dark centers above and below.
Arrange gaze position and small irises so sclera stands out on top, bottom, left, and right.
However, avoid a creepy look like bulging eyeballs.
Keep eyeball shape natural, emphasizing sanpaku solely by making the irises small.
Maintain wide whites while keeping the vertical height of the eyes narrow.
Important: Do not increase whites by making the eyes large; increase the ratio of whites by making the irises small within narrow eyes.
6-4. Iris/Pupil Placement
Irises are placed near the center of the eyes, but not in a completely mechanical center.
Include a very slight, natural difference in the positions of left and right irises.
Gaze is basically forward, but in a direction that conveys slight confusion or unease.
Do not pull irises extremely to the corners. No strong cross-eyed or strabismus look.
Ensure wide sclera is not lost when adjusting iris positions.
Left and right eyes have slight differences within a natural range, avoiding mechanical symmetry.
6-5. Eyelids and Eye Outlines
Upper eyelid line is drawn slightly darker and subtly thicker than the lower eyelid.
Upper eyelids have a sense of weight, forming a sleepy, languid impression.
Lower eyelid line is thin and delicate, not over-emphasized.
Eye contour is a dark color close to black, smoothly rendered.
Eyelashes are modest, not long, dense, or glamorous.
Do not excessively extend eyelashes at the outer corners.
Do not make eyeliner too thick; avoid flashy makeup.
6-6. Pupil Highlights
Pupil highlights are minimal.
No large white light reflections, no star-shaped highlights, no multiple glistening dots.
No intense gradient on the irises; keep them in understated tones of dark gray to black.
Do not make pupils shine like gemstones.
The eyes' charm comes not from sparkling pupils, but from the contrast of wide sclera and tiny irises, heavy upper eyelids, and narrow eye shapes.
6-7. Emotion Conveyed by Eyes
Gaze is sleepy, languid, and slightly awkward.
Heavy eyelids give the impression of someone not used to opening their eyes wide.
Not an aggressive glare or sharp scowl, but a nervous, slightly bewildered gaze.
A hint of anxiety and hesitation in the gaze.
Eyes not opened wide, eyebrows not sharply raised, expressing emotion through understated facial shifts.
Express a tense psychological state while maintaining tiny irises and wide sclera.
7. Eyebrows
Eyebrows are a dark color close to black hair.
Partially hidden by bangs, not overly visible in full.
Eyebrow thickness is thin to standard, natural shape.
A slight instability in eyebrow angle, expressing confusion or tension.
Slight strain near the inner ends of the brows, with the entire eyebrows subtly tensed.
Do not arch them extremely or emphasize anger.
Combine the weight of the eyes and subtle angle of the brows to create an awkward expression.
8. Nose
Nose is small and modest.
Simple anime-style depiction that does not stand out when viewed from the front.
Without emphasizing the nasal bridge, expressed naturally with small lines or faint shading.
Nose shading is not too dark, so the nose alone does not draw attention on the face.
9. Mouth
Mouth is small, not standing out on the face.
Corners of the mouth are slightly distorted from tension.
Mouth is slightly open, upper and lower teeth subtly visible.
A stiff, strained mouth as if lightly gritting teeth.
Upper and lower teeth appear modestly as thin white shapes. Do not over-detail the row of teeth.
Corners of the mouth are pulled naturally sideways into a tense shape distinct from a smile.
Lips are not emphasized, expressed with simple lines.
Do not open the mouth wide. Do not make a shouting expression.
Do
ちょな子
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