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Show Parameters
- Original Prompt
- Back view, wide hips, laying down in floor, thick thighs, huge ass, looking at viewer, serious face, annoyed. ,hakunomask, 1boy, solo, male focus, tight clothing, androgynous, forehead protector, sandals, hair bun, black hair, japanese clothes, hakumask, 1boy, solo, male focus, androgynous, sandals, mask, hair bun, black hair, black eyes, japanese clothes,
- Size
- 1280 x 768
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 1.3
- Negative
- bad quality,worst detail,sketch,censored, artist name, signature, watermark, low quality, worst quality, blurry, (deformed:1.3), extra fingers, cartoon, 3d, anime, bad anatomy
Model & LoRA used
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gv
from below, from behind, masterpiece, ultra detailed, dynamic action stance, full body, long legs, thick curvy body, sarada uchiha, short hair, black hair, black eyes, black pants, no visible face, facing away, CreamyAI
Gabriel Vargas
ℍ𝕌
Wahuku18 v3 style,masterpiece,best quality,glossy wet skin,heavy sweat droplets,shiny highlights,,vibrant saturated colors,soft rim lighting,ultra detailed,ireading62,cute pose,wide hips,thick thighs,solo,, 1girl, hyuga hanabi\(naruto\), black hair, long hair, low ponytail, hair between eyes, no pupils, white eyes, collarbone, hakama skirt, japanese clothes, kimono, long wide sleeves, sash
ℍ𝕌𝕄𝕐𝔸𝕊ℍ
Breadhime
character: hyuuga_neji, artist: blackwhiplash, copyright: naruto
1boy, solo, hyuuga_neji, long black hair, low-tied long ponytail, ponytail, hair ribbon tied low at the nape, strands sweeping across the brow, pale grey-white eyes, byakugan, pupil-less eyes, pale skin, slim femboy build, narrow shoulders, tapered waist, wide soft hips, rounded plump buttocks, thick thighs, fat ass, plump ass, huge ass, curvy femboy, feminine silhouette, masculine chest, flat chest, forehead protector, white robe, long sleeves, wide sleeves, japanese clothes, open robe slipping off the shoulders, bare shoulders, bare legs, high-cut legwear, standing, from behind, looking back, over-shoulder view, hand on own hip, head tilt, half-closed eyes, light smile, blush, grey eyes, looking at viewer, soft rim lighting, ornate chamber, dark wood interior, candlelight, warm amber palette, dark backdrop
Seen from behind at a slight high three-quarter angle: a slender feminine young man stands at the center of a dark, quiet chamber, his back square to the camera, and only his head turns over his right shoulder so a slice of his pale profile and one calm pale eye look back at the lens. His long black hair is gathered in a low ponytail tied at the nape, the tail falling straight down over the middle of his back and swinging slightly to his left from the turn of his head; a few loose strands cross his brow, and the metal plate of his forehead protector sits low across his forehead, catching a thin highlight. His robe is white, long-sleeved and wide-sleeved, and it has slipped: the collar hangs open across the shoulder blades and the fabric pools down off one shoulder, baring his neck and the slope of his back, the wide sleeve on the near side hanging heavy past his wrist. Below the sash the robe falls away against his hips, and the shape underneath is emphatic -- a rounded, heavy curve of seat and hip that strain the cloth into a taut, glossy pull over each cheek, the fabric creased in short tension lines radiating from the rise of the buttocks, the hem riding high on the swell so the underside of the fold shows a soft shadow. One hand rests flat at his hip, thumb hooked into the sash, fingers pressing the fabric in and making the linen crease over his waist; the other arm hangs relaxed, the wide sleeve pooling outward. His weight is on his left leg and his right knee is bent slightly inward, so one hip rides higher and the whole line of his body makes a lazy S. His lips curve on one side in a faint, self-satisfied smile, one eyebrow lifted, the eye that meets the lens half-lidded and steady, a faint warmth of blush across the visible cheekbone. The light comes from a cluster of candles on a low stand at the left of the frame: it strikes his turned cheek, the bare shoulder and the top of each cheek of his seat, wraps a warm rim along the near hip and ponytail, and leaves his front hidden in the robe's own shadow, while the rest of the room sinks into near-black. The robe's white cloth is the brightest thing in the frame after his skin; the palette holds only white linen, black hair, warm amber candlelight and the dark brown of the wood. A faint cast shadow of his hips falls on the floorboards behind his heels, harsh at the feet and blurring as it stretches. Behind him a carved wooden screen and a single tall candle stand occupy the deep background, out of focus, their lettering worn away to illegible texture. Quiet, self-possessed heat.
Izanagi
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