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Vibri Test
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- Quality Tag
- ﹝Prompts﹞, masterpiece, best quality
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 7
- Negative
- worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name,
Model & LoRA used
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1guy, solo, stick figure, slender, thin, very tall, small round red eyes, no mouth, no hair, bald, no clothes, nude, semi-transparent black body, magenta halo, radiating halo, glowing halo, floating halo, from below, standing on one leg, looking at viewer, flat color, minimal shading, smooth color fills, light rounded linework
A low-angle shot from below looking up at a single, extremely abstracted figure. The subject is a slender, thin stickman approximately 177cm tall, rendered as a semi-transparent black silhouette with a smooth, hairless head and a completely unclothed, simplified body. The face is void of a mouth, featuring only two small, perfectly circular red eyes that gaze directly at the viewer. Floating just above the head is a vibrant magenta halo that radiates sharp, linear beams of light. The figure stands in a playful, asymmetric pose, balancing on one leg with the other lifted slightly, creating a sense of light weight. The background is a soft, abstract mix of muted slate blue and pale dusty rose, while the overall atmosphere is bathed in a palette of warm taupe, deep burgundy, and soft mauve. The lighting is ethereal, with the magenta halo acting as the primary light source, casting a faint crimson glow onto the shoulders of the semi-transparent black form. Effortlessly stylish.
キッチンペーパー
1girl, solo, stick figure, slender, thin body, semi-transparent, black body, small round red eyes, magenta halo, glowing halo, from below, wide shot, looking at viewer, light smile, weight shift, standing on one leg
A wide shot from a low angle looking up at a slender, abstracted stick figure standing 177cm tall. The figure's body is a semi-transparent black, consisting of thin, minimalist lines that allow the background to peek through. The face is completely blank except for two small, perfectly round red eyes that gaze directly at the viewer with a subtle, mischievous glint. Hovering just above the head is a vivid magenta radial halo, emitting a soft, pulsing glow. The figure is caught in a playful, off-balance pose, shifting its weight onto one leg with the other heel slightly lifted. The environment is a seamless, abstract space where the background is a soft blend of muted charcoal, pale rose, and dusty peach tones. A gentle, diffuse light comes from the upper left, casting a soft, elongated shadow of the thin black form across the pale ground. The overall palette is a sophisticated mix of deep mauves, warm earthy browns, and muted pinks, creating a surreal yet clean atmosphere. Effortlessly stylish.
キッチンペーパー
1boy, solo, stick figure, extremely simplified, slender, semi-transparent black body, no hair, no clothes, no mouth, no nose, red eyes, small round eyes, floating halo, magenta halo, from below, looking at viewer, full body, wide shot
A wide shot from below looking up at a single entity. The figure is an extremely simplified, slender stick figure approximately 177cm tall, rendered as a semi-transparent black silhouette. It is completely bald and unclothed, with a smooth, faceless head devoid of a mouth or nose; its only facial features are two small, perfectly circular red eyes that gaze directly at the viewer. Floating just above the head is a vibrant magenta radial halo, emitting a soft glow. The figure stands in a wide, open space with a background of muted slate-grey, pale blush, and dusty rose tones. The overall atmosphere is bathed in a palette of deep mauve, warm terracotta, and soft lavender. Light from an unseen source strikes the translucent black body, creating a slight ghostly shimmer against the background. Effortlessly surreal.
キッチンペーパー
Nightmare’s head resembles a vaguely humanoid silhouette, though its exact shape seems to subtly change whenever it is observed. Dark red and black surfaces shift beneath a thin layer of shadow, not like flesh moving, but like an endless depth existing behind the suggestion of a face. There is no mouth, nose, or ears. Two dark green eyes stare outward from the shifting darkness, unnaturally clear and perfectly still. Two thin, perfectly straight horns extend vertically from the crown of his head. They appear almost too geometrically precise to be natural, disappearing upward into the fog. At times, they seem impossibly distant despite being only inches above his head. When Nightmare chooses to open his face, it does not move like an ordinary mouth. The entire shape of his face simply divides along impossible vertical and horizontal lines, unfolding into a four-part opening that reveals an infinite-looking darkness filled with rows of pitch-black teeth. The interior seems far larger than his head should physically allow. From this darkness emerges a long, slender tongue-like appendage. Its movements are slow and deliberate, almost curious. At its tip is a single bloodshot eye that constantly watches from a different direction than Nightmare's other eyes. His neck is unnaturally long and slender, connecting his head to a vaguely humanoid torso. His proportions are subtly wrong, as though they were calculated from an unfamiliar understanding of anatomy. His arms are extremely long and thin, extending farther than they should. Their lower portions dissolve into flowing red-black tendrils that constantly drift and rearrange themselves, never quite maintaining the same shape. Each hand possesses three elongated fingers, though their exact number occasionally seems impossible to determine. The fingers taper into tendril-like points and are coated in a dark red substance that falls upward into the fog rather than downward. His torso resembles the suggestion of a skeletal frame rather than an actual skeleton. An enormous open ribcage surrounds a seemingly bottomless interior. Rather than organs, there is only an abyss of shifting crimson and black shapes. Looking into the space between his ribs gives the disturbing impression of looking somewhere that is not physically present. His lower body is even less comprehensible. Fourteen extremely long, insect-like appendages descend into the fog, supporting a lower form whose silhouette constantly changes. At a glance, the legs resemble those of some enormous arthropod, but their joints do not consistently bend in the same directions. Some seem to disappear entirely before reappearing farther away. The rest of his lower body is concealed within an ever-moving mass of darkness, faint red shapes, and indistinct geometric structures. Nothing about it remains completely consistent for more than a moment. A long, impossibly thin, tendril-like appendage extends behind him. It moves independently of his body, drifting through the air as though submerged in invisible water. At its end is something resembling a human hand. The hand is unnaturally symmetrical. Its long fingers slowly flex and unfold, sometimes pointing toward things that Nightmare himself does not appear to notice. Occasionally, the hand seems to be several feet away from the end of the tail without the intervening appendage actually becoming longer.
Bunny D. Kubo
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